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A heptatonic scale is a musical scale that has seven pitches, or tones, per octave. Examples include: Examples include: the diatonic scale ; including the major scale and its modes (notably the natural minor scale, or Aeolian mode)
In music theory a diatonic scale is a heptatonic (seven-note) scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole steps. In other words, the half steps are maximally separated from each other.
Here transposition and modes are not counted separately, so that diatonic scale encompasses both the major diatonic scale and the natural minor scale beginning with any pitch. Each of these scales, if spelled correctly, has a version in any meantone tuning, and when the fifth is flatter than 700 cents , they all become strictly proper.
Melodies can be based on a diatonic scale and maintain its tonal characteristics but contain many accidentals, up to all twelve tones of the chromatic scale, such as the opening of Henry Purcell's "Thy Hand, Belinda" from Dido and Aeneas (1689) with figured bass), which features eleven of twelve pitches while chromatically descending by half steps, [1] the missing pitch being sung later.
Notice that this scale is an extension of the diatonic scale shown in the previous table. Only five notes have been added: C ♯ , E ♭ , F ♯ , G ♯ and B ♭ (a pentatonic scale ). As explained above, an identical scale was originally defined and produced by using a sequence of tempered fifths, ranging from E ♭ (five fifths below D) to G ...
Chromatic fourth: lament bass bassline in Dm (D–C ♯ –C(♮)–B–B ♭ –A) The diatonic scale notes (above) and the non-scale chromatic notes (below) [1] Chromaticism is a compositional technique interspersing the primary diatonic pitches and chords with other pitches of the chromatic scale. In simple terms, within each octave ...
The Phrygian mode (pronounced / ˈ f r ɪ dʒ i ə n /) can refer to three different musical modes: the ancient Greek tonos or harmonia, sometimes called Phrygian, formed on a particular set of octave species or scales; the medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter.
The notes of the pelog scale can be designated in different ways; In Central Java, one common way is the use of numbers (often called by their names in Javanese, especially in a shortened form. An older set uses names derived from parts of the body. Notice that both systems have the same designations for 5 and 6.