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August Immanuel Bekker. Bekker numbering or Bekker pagination is the standard form of citation to the works of Aristotle.It is based on the page numbers used in the Prussian Academy of Sciences edition of the complete works of Aristotle (1831–1837) and takes its name from the editor of that edition, the classical philologist August Immanuel Bekker (1785–1871); because the academy was ...
The end of Sophistical Refutations and beginning of Physics on page 184 of Bekker's 1831 edition.. The works of Aristotle, sometimes referred to by modern scholars with the Latin phrase Corpus Aristotelicum, is the collection of Aristotle's works that have survived from antiquity.
The city of Rome, 44 BC. The conspiracy to assassinate Julius Caesar began with a meeting between Cassius Longinus and his brother-in-law Marcus Brutus [15] in the evening of 22 February 44 BC, [16] when after some discussion the two agreed that something had to be done to prevent Caesar from becoming king of the Romans.
The Death of Caesar (French: La Mort de César) is an 1867 painting by the French artist Jean-Léon Gérôme.It depicts the moment after the assassination of Julius Caesar, when the jubilant conspirators are walking away from Caesar's dead body at the Theatre of Pompey, on the Ides of March (March 15), 44 BC.
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Bekker confined himself entirely to manuscript investigations and textual criticism; he contributed little to the extension of other types of scholarship. [1] Bekker numbers have become the standard way of referring to the works of Aristotle and the Corpus Aristotelicum.
The painting positions Caesar seated, crowned, and robed in a scarlet toga, as the centre and focus of composition. [1] Tillius Cimber is depicted pulling on Caesar's toga to both distract and pin him, as Servilius Casca sneaks behind Caesar and attempts to stab Caesar with a dagger.
La mort de Cèsar or The Death of Julius Caesar is an 1806 painting by Vincenzo Camuccini depicting the assassination of Julius Caesar. [ 1 ] The painting was originally commissioned in 1793 by Frederick Hervey, 4th Earl of Bristol , for whom he had already produced a copy of Raphael 's Deposition .