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Values are calculated for 8 bpc RGB or Y′C B C R 4∶4∶4 color mode. For different color depths, multiply results by 1.25 (for 10 bpc), 1.5 (for 12 bpc), or 2 (for 16 bpc). For chroma subsampled formats, divide results by 1.5 for Y′C B C R 4∶2∶2, or by 2 for Y′C B C R 4∶2∶0.
These may also use other aspect ratios by cropping otherwise black bars at the top and bottom which result from cinema aspect ratios greater than 16∶9, such as 1.85 or 2.35 through 2.40 (dubbed "Cinemascope", "21∶9" etc.), while the standard horizontal resolution, e.g. 1920 pixels, is usually kept.
In the case of filmed material, as 120 is an even multiple of 24, it is possible to present a 24 fps sequence without judder on a well-designed 120 Hz display (i.e., so-called 5-5 pulldown). If the 120 Hz rate is produced by frame-doubling a 60 fps 3:2 pulldown signal, the uneven motion could still be visible (i.e., so-called 6-4 pulldown).
The 1280 × 1024 resolution is not the standard 4:3 aspect ratio, instead it is a 5:4 aspect ratio (1.25:1 instead of 1. 3:1). A standard 4:3 monitor using this resolution will have rectangular rather than square pixels, meaning that unless the software compensates for this the picture will be distorted, causing circles to appear elliptical.
The original MCCS standard version 1 was released on September 11, 1998. MCCS Version 2 was released on October 17, 2003. A major update of the standard, it provided support for flat panel displays, VESA DPVL (Digital Packet Video Link) standard; it added a range of television controls and introduced individual control of multiple windows on a display.
1080p progressive scan HDTV, which uses a 16:9 ratio. Some commentators also use display resolution to indicate a range of input formats that the display's input electronics will accept and often include formats greater than the screen's native grid size even though they have to be down-scaled to match the screen's parameters (e.g. accepting a 1920 × 1080 input on a display with a native 1366 ...