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Rebecca won the Film Daily year-end poll of 546 critics nationwide naming the best films of 1940. [22] Rebecca mosaic commissioned in 2001 in the London Underground. Rebecca was the opening film at the 1st Berlin International Film Festival in 1951. [23] The Guardian called it "one of Hitchcock's creepiest, most oppressive films". [24]
Rebecca is a 1938 Gothic novel by the English author Daphne du Maurier.It depicts an unnamed young woman who impetuously marries a wealthy widower, before discovering that both he and his household are haunted by the memory of his late first wife, the title character.
Cooper turned to film full-time in 1940, finding success in Hollywood in a variety of character roles and was frequently cast as a disapproving, aristocratic society woman, although she sometimes played lively, approachable types, as she did in Rebecca (1940).
As the decade began, Europe was at war and the U.S. was supporting the allies. The first World War II film to win Best Picture was "Mrs. Miniver" (1941), an American production set in England ...
He won once, for his work on the Alfred Hitchcock film Rebecca (1940). "Barnes’ photographic interpretation of Rebecca is the sort of thing to which his fellow cinematographers may point, as indeed they did in bestowing upon it the industry's premiere Award, as a complete example of what truly great camerawork can mean to a production". [1]
Cannon Hall, Hampstead, drawn by A.R. Quinton, 1911, where du Maurier spent much of her childhood. Daphne du Maurier was born at 24 Cumberland Terrace, Regent's Park, London, the middle of three daughters of prominent actor-manager Sir Gerald du Maurier and actress Muriel Beaumont. [3]
The NFL continued to prove that it is king with a strong showing in the ratings department for its two Saturday afternoon games that went up against competition from the College Football Playoff ...
Sherwood was quoted on May 12, 1940, by The New York Times, "This country is already, in effect, an arsenal for the democratic Allies." [ 9 ] After serving as director of the Overseas Branch of the Office of War Information from 1943 until the conclusion of the war, [ 10 ] he returned to dramatic writing with the movie The Best Years of Our ...