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DADGAD tuning. D A D G A D, or Celtic tuning, is an alternative guitar tuning most associated with Celtic music, though it has also found use in rock, folk, metal and several other genres. Instead of the standard tuning (E 2 A 2 D 3 G 3 B 3 E 4) the six guitar strings are tuned, from low to high, D 2 A 2 D 3 G 3 A 3 D 4.
A tuning fork is an acoustic resonator in the form of a two-pronged fork with the prongs formed from a U-shaped bar of elastic metal (usually steel). It resonates at a specific constant pitch when set vibrating by striking it against a surface or with an object, and emits a pure musical tone once the high overtones fade out.
Over time, tuning forks were adapted for use in medical and therapeutic settings, where their precise frequencies have been harnessed for healing and therapeutic purposes. [ 3 ] Tuning forks are known for their nearly pure frequency response, emitting a clear, unwavering tone that is free from the complex overtones found in other instruments.
The 2.9L M57, which is found in E39 530d and E38 730d, as well as early models of E46 330d and E53 X5, is equipped with one Garrett GT2556V turbocharger. The 2.5L M57TÜ uses a Garrett GT2056V turbocharger, the 3.0L M57TÜ a Garrett GT2260V turbocharger, the M57TÜ2 a Garrett GTB2260VK turbocharger, whilst the M57D30TÜTOP sports a BorgWarner ...
Turning the peg or pin tightens or loosens the string. Some tuning pegs and pins are tapered, some threaded. Some tuning pegs are ornamented with shell, metal, or plastic inlays, beads (pips) or rings. Other tuning systems include screw-and-lever tuners, geared tuners, and the konso friction tuning system (using braided leather rings).
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The number of tines on tools varies widely – a pitchfork may have just two, a garden fork may have four, and a rake or harrow many. Tines may be blunt, such as those on a fork used as an eating utensil; or sharp, as on a pitchfork; or even barbed, as on a trident. The terms tine and prong are mostly interchangeable. A tooth of a comb is a tine.
Carnyx players (bottom right) on a panel from the Gundestrup Cauldron Sculpture depicting a bard with a lyre (Brittany, 2nd century BC). Deductions about the music of the ancient Celts of the La Tène period and their Gallo-Roman and Romano-British descendants of Late Antiquity rely primarily on Greek and Roman sources, as well as on archaeological finds and interpretations including the ...