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Medusa is a marble sculpture of the eponymous character from the classical myth. It was executed by the Italian sculptor Gian Lorenzo Bernini . Its precise date of creation is unknown, but it is likely to have been executed in the 1640s.
The bronze sculpture, in which Medusa's head turns men to stone, is appropriately surrounded by three huge marble statues of men: Hercules, David, and later Neptune. [2] Cellini's use of bronze in Perseus and the head of Medusa, and the motifs he used to respond to the previous sculpture in the piazza, were highly innovative.
Medusa (1854), marble sculpture by Harriet Hosmer, collection of the Detroit Institute of Art; Medusa (oil on canvas) by Arnold Böcklin (c. 1878) Perseus (bronze sculpture) by Salvador Dalí; Medusa sculpture by Luciano Garbati, which portrays her clutching the severed head of Perseus (2008) [39] Medusa remained a common theme in art in the ...
Medusa, or sometimes referred to as The Head of Medusa, was created c.1618 using oil on canvas and is 68.5 x 118 cm. [5] Rubens enlisted the help of Frans Snyders who worked with him multiple times. Snyders was a nature artist and worked with Rubens to paint animals in his pieces, such as the snakes in Medusa. [5]
Medusa with the Head of Perseus, 2008 sculpture Medusa with the Head of Perseus is a sculpture created by Luciano Garbati in 2008. The statue depicts Medusa holding a sword and the head of Perseus, a role reversal of Greek legend. A bronze cast version is temporarily displayed in Collect Pond Park, Lower Manhattan.
Medusa also became a very popular icon in designer fashion, as the logo of the Italian luxury clothing brand Versace portrays a Gorgon head. [9] Luciano Garbati's 2008 sculpture, Medusa with the Head of Perseus, portrays her clutching the severed head of Perseus, later becoming a feminist avatar for the MeToo movement. [10] [11]
His most distinguished sculpture is the bronze group of Perseus with the Head of Medusa, a work (first suggested by Duke Cosimo I de Medici) now in the Loggia dei Lanzi at Florence, his attempt to surpass Michelangelo's David and Donatello's Judith and Holofernes. The casting of this work caused Cellini much trouble and anxiety, but it was ...
Perseus with the Head of Medusa, by Antonio Canova, 1798-1801 (Vatican Museums, Rome). The Medusa Rondanini was formerly exhibited in Palazzo Rondanini [2] in the upper end of via del Corso, Rome, where it was overlooked by the great art historian Johann Joachim Winckelmann, perhaps distracted by Michelangelo's Rondanini Pietà in the same collection.