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Jazz guitar playing styles include comping with jazz chord voicings (and in some cases walking bass lines) and blowing (improvising) over jazz chord progressions with jazz-style phrasing and ornaments. Comping refers to playing chords underneath a song's melody or another musician's solo improvisations.
All Blues for Jazz Guitar—Comping Styles, Chords & Grooves, [16] 1997. Book/CD set. All Blues Soloing for Jazz Guitar —Scales, Licks, Concepts & Choruses, [37] 1999. Book/CD set. All Blues Scale for Jazz Guitar—Solos, Grooves & Patterns, [38] 2000. Book/CD set. All Solos & Grooves for Jazz Guitar—Position Studies, Scales & Patterns, [39 ...
In jazz, comping (an abbreviation of accompaniment; [2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines. It is also the action of accompanying, and the left-hand part of a solo ...
Jazz guitarists are guitarists who play jazz using an approach to chords, melodies, and improvised solo lines which is called jazz guitar playing. The guitar has fulfilled the roles of accompanist ( rhythm guitar ) and soloist in small and large ensembles and also as an unaccompanied solo instrument.
The term "guitar solo" often refers to electric guitar solos played in blues and in rock. The use of a guitar solo as an instrumental interlude was developed by blues musicians such as Lonnie Johnson , John Lee Hooker , Muddy Waters , and T-Bone Walker , and jazz like Charlie Christian .
Jazz chords are chords, chord voicings and chord symbols that jazz musicians commonly use in composition, improvisation, and harmony. In jazz chords and theory, most triads that appear in lead sheets or fake books can have sevenths added to them, using the performer's discretion and ear. [ 1 ]