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Papa, Please Get the Moon for Me uses a distinctive collage style, typical of Carle's work by 1986, achieved by painting tissue paper, cutting it into pieces, and assembling it. [1] The book's aim is to educate children about the phases of the Moon .
For her collages, she uses papers torn from poster boards in Prague and before that in Paris, where she often faced harsh criticism from passers-by [28], colour magazines, old tailor's patterns and transparent tissue paper, or school blackboards and reproductions stored in the attic of the school in Vidonice, where the Janoušek couple had set ...
The paper may be coloured by the craftsman paper-maker but many chigiri-e artists colour the paper themselves, using vegetable dyes, coloured inks or powder pigments. The paper most often used is Tengujoshi : a handmade, long-fibered, very light weight paper (0.03 millimetres thickness).
The book also employs Lü's three elements behind paper cutting along with his philosophy towards his artwork in several volumes. Some of the books collage pages were scraps from actual pieces that Lü Shengzhong created. The collages in the book are of little red figures such as frog, paper people, and other various shapes.
Her use of collages and wall hangings in largely abstract compositions deploys domestic materials such as newspaper and tissue paper, as well as textiles and craft techniques. [10] Curator Lisa Sullivan states that Gower's work elevates forms and practises derisively considered ‘women’s work’ to the status of art. [6]
At the age of 71 in 1771, Delany began to create cut-out paper artworks of exceptionally-detailed and botanically-accurate depictions of plants, produced using tissue paper and hand-colouration. Delany created 1,700 decoupage pieces, which she called her "Paper Mosaiks", between the ages of 71 and 88, when her eyesight failed.