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Three Colours: Blue (French: Trois couleurs: Bleu, Polish: Trzy kolory: Niebieski) is a 1993 psychological drama film co-written and directed by Polish filmmaker Krzysztof Kieślowski. It is the first instalment in the Three Colours trilogy , themed on the French Revolutionary ideals of liberty, equality and fraternity, followed by White and ...
A symbol common to the three films is that of an underlying link or thing that keeps the protagonist linked to their past. In the case of Blue, it is the lamp of blue beads, and a symbol seen throughout the film in the TV of people falling (doing either sky diving or bungee jumping); the director is careful to show falls with no cords at the beginning of the film, but as the story develops the ...
Three Colours: Red (French: Trois couleurs: Rouge, Polish: Trzy kolory: Czerwony) is a 1994 drama film co-written, produced and directed by Polish filmmaker Krzysztof Kieślowski. It is the final installment of the Three Colours trilogy , which examines the French Revolutionary ideals ; it is preceded by Blue and then by White .
Back in theaters almost 30 years since it first debuted, Krzysztof Kieślowski's "Three Colors" trilogy finds a mystical hope in desolate times.
The large cast includes both famous and unknown actors, many of whom Kieślowski also used in his other films. Typically for Kieślowski, the tone of most of the films is melancholic, except for the final one, which is a black comedy, featuring two of the same actors, Jerzy Stuhr and Zbigniew Zamachowski, as in Three Colors: White. [citation ...
Krzysztof Kieślowski (Polish: [ˈkʂɨʂtɔf kʲɛɕˈlɔfskʲi] ⓘ; 27 June 1941 – 13 March 1996) was a Polish film director and screenwriter.He is known internationally for Dekalog (1989), The Double Life of Veronique (1991), and the Three Colours trilogy (1993 –1994).
The cinematography is highly stylized, utilizing color and camera filters to create an ethereal atmosphere. Sławomir Idziak, the cinematographer, had previously experimented with these techniques in an episode of Dekalog, while Kieślowski expanded on the use of color for a wider range of effects in his Three Colours trilogy.
Blue Is the Warmest Color: 2013 Rated NC-17 "for explicit sexual content" [20] The film was released with the NC-17 rating, yet took in over $19 million overall. [21] Broken English: 1996 Rated NC-17 for explicit sexuality; edited version rated R for language, violence, and some drug content. [22] The Canterbury Tales (I Racconti di Canterbury ...