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North by Northwest movie trailer screenshot. Saul Bass (/ b æ s /; May 8, 1920 – April 25, 1996) was an American graphic designer and Oscar-winning filmmaker, best known for his design of motion-picture title sequences, film posters, and corporate logos.
The opening titles and closing sequence were designed by Saul Bass, probably in collaboration with Elaine Makatura Bass. Film reviewers universally praised the Bass titles, but generally condemned the film. Even director Edward Dmytryk acknowledged that the titles were a masterpiece. [8]
As cinema's title sequences grew longer and more elaborate, the involvement of prominent graphic designers including Saul Bass and Maurice Binder became more common. The title sequence for Alfred Hitchcock's North by Northwest is generally cited as the first to feature extended use of kinetic typography. [2]
For Scorsese, Saul and Elaine Bass [7] created title sequences for Goodfellas (1990), Cape Fear (1991), The Age of Innocence (1993), and Casino (1995), their last title sequence. This later work with Scorsese saw the Basses move away from the optical techniques that Saul Bass had pioneered in his early career and move into the use of ...
The opening title sequence was created by Saul Bass. Burl Ives won the Academy Award as Best Supporting Actor for his performance, as well as the Golden Globe Award. The film was also nominated for an Academy Award for the musical score, composed by Jerome Moross. The film is one of the few in which Heston plays a major supporting role rather ...
The titles and end credits sequences were designed by Saul Bass with Elaine Makatura Bass. Bass was credited as visual consultant for creating the opening sequence over the film's overture. [14] On location shooting for the "Prologue" and "Jet Song" occurred at two different Manhattan, New York locations.
The opening animated title sequence was created by Saul Bass. The screenwriters were Edmund H. North and Dalton Trumbo - the latter received no screen credit at the time because he had been blacklisted as one of the Hollywood Ten .
When Lawford first told Sinatra of the story, Sinatra joked, "Forget the movie, let's pull the job!" [6] The animated title sequence was designed by Saul Bass. [7] The film's closing shot shows the main cast walking away from the funeral home, with the Sands Hotel marquee behind them, listing their names as headliners.