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Michael Barrier writes, "Baby Bottleneck, like Book Revue (1946), reveals just how great Bob Clampett's impact was on the Warner Bros. cartoons in the early 1940s... As so often in Clampett's best cartoons, there is a prevailing air of hysteria and madness: The stork is drunk, inexperienced help is delivering babies to the wrong mothers, everything is a mess — and all is bliss."
In December 1984/January 1985, [inconsistent] [2] the nonprofit National Child Safety Council began a nationwide program called the Missing Children Milk Carton Program in the United States of putting photos of missing children on milk cartons. By March 1985, 700 of 1600 independent dairies in the United States had adopted the practice of ...
Christ's Charge to Peter, one of the Raphael Cartoons, c. 1516, a full-size cartoon design for a tapestry. In fine art, a cartoon (from Italian: cartone and Dutch: karton—words describing strong, heavy paper or pasteboard and cognates for carton) is a full-size drawing made on sturdy paper as a design or modello for a painting, stained glass, or tapestry.
In the 1980s, milk cartons in the United States often printed photos of missing children with the hope that someone would recognize the photograph and provide information to police. Many milk cartons also included advertisements and sponsors. These images and sponsors ranged from DVDs, Cereal, Cartoons, Frozen Dinners, and Albums. [27]
A cel, short for celluloid, is a transparent sheet on which objects are drawn or painted for traditional, hand-drawn animation. Actual celluloid (consisting of cellulose nitrate and camphor) was used during the first half of the 20th century. Since it was flammable and dimensionally unstable, celluloid was largely replaced by cellulose acetate.
Category for Color Classics cartoon shorts produced by Fleischer Studios. Pages in category "Color Classics cartoons" The following 19 pages are in this category, out ...
Color Classics are a series of animated short films produced by Fleischer Studios for Paramount Pictures from 1934 to 1941 as a competitor to Walt Disney's Silly Symphonies. [1] As the name implies, all of the shorts were made in color format, with the first entry of the series, Poor Cinderella (1934), being the first color cartoon produced by ...
On a dark and stormy night, an elderly pharmacist falls asleep at his stool while mixing poisonous chemicals in a glass bottle. After he falls asleep, the night takes a sudden fantastical turn as his poisonous bottle—topped with a "skull and crossbones" stopper as a warning label—suddenly springs to life, becoming a malevolent cackling skeleton.