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The original soundtrack to the 1951 film An American in Paris was released by MGM Records in three formats: as a set of four 10-inch 78-rpm shellac records, as a set of four 7-inch EPs, and as a 10-inch long-play record.
"Happy Days in Paris" by George Feyer (pianist) "The Happy Elf (Gay Paris)" by John Van Horn & His Orchestra "The Happy Heart of Paris" by Dorothy Collins "He Went to Paris" by Jimmy Buffett "Heart of Paris (Coeur de Mon Coeur)" by Don Costa "Helen Loves Paris" by Colin Blunstone "Hello, Paris! (Retour à Paris)" by Shirley Abicair
Elvis is known to have performed "Oh Happy Day" during the dress rehearsal for his 1968 Comeback Show and at an August 5, 1976, concert at the Sahara in Las Vegas. He described the chord arrangement on "Oh Happy Day" as representative of early rock and roll, stating "Oh Happy Day" was similar to the songs "Blue Moon" and "Young Love" in this ...
"Oh Happy Day" is a 1967 gospel music arrangement of the 1755 hymn [1] by clergyman Philip Doddridge. Recorded by the Edwin Hawkins Singers, it became an international hit in 1969, reaching No. 4 on the US Singles Chart, No. 1 in France, Germany, and the Netherlands and No. 2 on the Canadian Singles Chart, UK Singles Chart, and Irish Singles Chart.
The Great Paris Concert is a 1973 [2] live double album by jazz pianist Duke Ellington preserving pieces of a series of performances given in Paris during February 1963, a decade prior the release. For the 1989 CD reissue, 10 additional recordings from the same series of Paris concerts were added to the release.
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Happy Day may refer to: The Happy Day, a 1916 musical comedy; Happy Day, a 2008 album by Tim Hughes "The Happy Day" (Ashes to Ashes), an episode of Ashes to Ashes; Hap Day (1901–1990), Canadian professional hockey player "Happy Day", a 1994 song by house musical duo Uncanny Alliance "Happy Day", a song by Talking Heads from their 1977 album ...
Ryoji Ikeda (池田 亮司 Ikeda Ryōji, born 1966) [1] is a Japanese visual and sound artist who currently lives and works in Paris, France. Ikeda's music is concerned primarily with sound in a variety of "raw" states, such as sine tones and noise, often using frequencies at the edges of the range of human hearing.