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Roland also produced the 76-key, 6-octave Super-LA D-70 (1989-1990). With the D-70 Roland removed the digital synthesis section, which was replaced with full-length, more realistic and natural-sounding samples, including an acoustic piano, which the D-50 lacked. The D-70 also had an expanded filter and effects section and was 5 part multi-timbral.
In the mid-1990s, Roland entered the market with the MC-303 (1996), and Korg and Yamaha re-entered the market, Korg with the Electribe series (1999–). Akai developed and refined the idea of the keyboard-less workstation with the Music Production Center series (1988–) of sampler workstations. The MPC breed of sampler freed the composer from ...
The new venture was a strategic move by Roland to enter the lucrative high-end home keyboard market which had hitherto been dominated by Yamaha and Technics. Featuring auto accompaniment, and built in speakers the E-20 used the advanced Linear Arithmetic or "LA" synthesis system as used on the Roland MT-32 sound module.
The Roland S-50 is a 61-key 12-bit sampler keyboard produced by the Roland Corporation in 1986. It featured a 3.5-inch DSDD floppy disk drive and had external CRT monitor support to facilitate editing of samples. It could hold up to 32 samples. A rack-mounted version was also available, which featured expanded memory. [2]
Roland Fantom X6 Top View. The X6, X7, and X8, apart from their keyboards, are almost identical in the controls they offer, the internal software they run, and the expansions they accept. In 2005 the 61-key Fantom-Xa was released. The Xa still uses the same Waveforms and the new X series Chip.
The Roland MKS-20 is a digital piano–type sound module released by Roland Corporation in 1986, simultaneously with the Roland RD-1000 digital stage piano.The MKS-20 and RD-1000 share the same "Structured/Adaptive Synthesis" sound engine; the RD-1000 integrates that engine into a musical keyboard-type MIDI controller with size, weight, and features similar to the Roland MKB-1000.