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The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus of Nazareth by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
Saint Francis Embracing Christ on the Cross or Allegory of Saint Francis' Renunciation of the Material World to Follow Jesus is an oil on canvas painting by Bartolomé Esteban Murillo, created in 1668-1669, now held in the Museum of Fine Arts of Seville.
Works like Christ on the Mount of Olives where he directly places himself in the position of Jesus Christ are an example of this. In addition to Christ and other religious themes, towards the latter part of his career and life, a large portion of the works created by Gauguin dealt with his understanding and fetishism of "abnormal peoples."
Earlier this year a picture re-emerged that showed what Jesus might have looked like as a kid. Detectives took the Turin Shroud, believed to show Jesus' image, and created a photo-fit image from ...
Sacred Heart of Jesus (Batoni) Saint Anthony with the Christ Child (Murillo) Saint Christopher (after van Eyck) Saint Christopher Carrying the Christ Child; Saint Didacus of Alcalá Presenting Juan de Herrera's Son to Christ; Saint Francis Receiving the Stigmata (Giotto) Saint Francis with the Blood of Christ; Saint Joseph with the Christ Child
Several venerated images of Jesus Christ and Saint Joseph have also been granted a pontifical coronation. [ a ] The pontifical decree of canonical coronation Qui Semper granted for the "Virgin of Hope of Triana" in Spain , legally imposing the venerated Marian image the Pontifical right to wear a crown by Pope John Paul II on 7 April 1983.
Homeless Jesus, also known as Jesus the Homeless (French: Jésus le sans-abri), is a bronze sculpture by Timothy Schmalz depicting Jesus as a homeless person, sleeping on a park bench. The original sculpture was installed in 2013 at Regis College , a theological college federated with the University of Toronto .
The main light source is not evident in the painting but comes from the upper left; the lesser light source is the lantern held by the man at the right (believed to be a self-portrait of Caravaggio; also, presumably, representing St Peter, who would first betray Jesus by denying him, and then go on to bring the light of Christ to the world). At ...