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In 1820, the poem was republished as a broadside and titled "The Little Maid and the Gentleman". [6] Some guidebooks and locals in Conwy, Wales, claim Wordsworth was inspired to write the poem after seeing a gravestone at St Mary and All Saints Church in the town; this gravestone is marked "We are Seven." [7]
Poems. Privately printed at Yale University Press, New Haven, pp 109–116. The poem is translated in its entirety in this collection. A post-Pound publication. Spaeth, John Duncan (1921), Early English Poems, Princeton: Princeton University Press, pp. 68– 71. The poem is explained as a dialogue between The Old Sailor and Youth, and ends at ...
The 2004 AQA Anthology was a collection of poems and short texts. The anthology was split into several sections covering poems from other cultures, the poetry of Seamus Heaney, [4] Gillian Clarke, Carol Ann Duffy and Simon Armitage, and a bank of pre-1914 poems. There was also a section of prose pieces, which could have been studied in schools ...
The actual village blacksmith in the poem, however, was a Cambridge resident named Dexter Pratt, a neighbor of Longfellow's. Pratt's house is still standing at 54 Brattle Street in Cambridge. [ 4 ] Several other blacksmiths have been posited as inspirations for the character in the poem, including "The Learned Blacksmith" Elihu Burritt , to ...
The Old Vicarage, Grantchester" is a light poem by the English Georgian poet Rupert Brooke (1887–1915), written in Berlin in 1912. Initially titled "The Sentimental Exile", Brooke, with help from his friend Edward Marsh , renamed it to the title the poem is now commonly known as.
The exact chronological and interpretive orders of the six 1819 poems are unknown, but "Ode to Psyche" was probably written first and "To Autumn" last. [6] Keats simply dated the others May 1819. However, he worked on the spring poems together, and they form a sequence within their structures. [7]
The poem refers to a group of people called the Wicinga cynn, which may be the earliest mention of the word "Viking" (lines 47, 59, 80). It closes with a brief comment on the importance and fame offered by poets like Widsith, with many pointed reminders of the munificent generosity offered to tale-singers by patrons "discerning of songs".
"London" is a poem by William Blake, published in the Songs of Experience in 1794. It is one of the few poems in Songs of Experience that reflects a constrained or bleak view of the city. Written during the time of significant political and social upheaval in England, the poem expresses themes of oppression, poverty, and institutional corruption.