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To celebrate Ochpaniztli all of the buildings in Tenochtitlan were cleared to make the city ritually pure for the holiday. [8] On the fifth day, all of the fires in Tenochtitlan were extinguished. [8] On the sixth day and continuing for eight more, warriors would march through the streets of Tenochtitlan carrying flowering branches until dusk. [7]
Técpatl (18th day sign of the Aztec calendar) (Image from the Codex Magliabechiano) In the Aztec culture, a tecpatl was a flint or obsidian knife with a lanceolate figure and double-edged blade, with elongated ends. Both ends could be rounded or pointed, but other designs were made with a blade attached to a handle.
The codex consists of a single 549 cm (216 in) long and 19.8 cm (7.8 in) high sheet of amate, folded like an accordion into 21.5 sheets 25.4 cm (10.0 in) wide on average. [3] [4] The tlacuilo who fashioned the Boturini Codex was familiar with the Aztec writing system. The style consistency of the images suggested that the codex had a single author.
Patolli and its variants were played by a wide range of pre-Columbian Mesoamerican cultures and were known all over Mesoamerica: it was played by the Teotihuacanos (the builders of Teotihuacan, ca. 200 BC - 650 AD), the Toltecs (ca. 750 - 1000), the inhabitants of Chichen Itza (founded by refugee Toltec nobles, ca. 1100 - 1300), the Aztecs (who claimed Toltec descent, 1168 - 1521) and all of ...
[8] [9] Toltec groups were making feathered items from black and white feathers of local origin. [5] The most developed use of feathers in Mesoamerica was among the Aztecs, Tlaxcaltecs and Purepecha. [1] Feathers were used to make many types of objects from arrows, fly whisks, fans, complicated headdresses and fine clothing. [10]
The Codex Magliabechiano is a pictorial Aztec codex created during the mid-16th century, in the early Spanish colonial period. It is representative of a set of codices known collectively as the Magliabechiano Group (others in the group include the Codex Tudela and the Codex Ixtlilxochitl ).