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"God of Music" (Korean: 음악의 신; RR: Eumag-ui Sin) is a song by South Korean boy band Seventeen. It was released as the lead single of their eleventh extended play (EP) Seventeenth Heaven on October 23, 2023, and is the group's first song to chart at number one on the Circle Digital Chart.
The music video for "Shohikigen" was released on November 27, directed by 725 of Sl8ight Visual Lab. [11] The video is a sequel to the music video for the group's 2023 single "Ima (Even If the World Ends Tomorrow", exploring the concept of a world that has ended, [12] with the members in a spaceship-like setting.
Seventeenth Heaven is the twelfth Korean extended play (EP) and fifteenth overall by South Korean boy band Seventeen.It was released on October 23, 2023, by Pledis Entertainment through YG Plus, five months following the release of FML (2023).
"Love, Money, Fame" is a song recorded by the South Korean band Seventeen featuring American music producer DJ Khaled. It was released on October 14, 2024, as the lead single from their thirteen extended play Spill the Feels. The song debuted at number one on the Circle Digital Chart, becoming their third chart topper in South Korea.
Lyrics Music Notes Credited With Credited With 2017 Seventeen "Don't Wanna Cry" (울고 싶지 않아)" Al1: Bumzu, S.Coups, Woozi, Hoshi, Andrew Taggart, Guy Berryman, Mark Buckland, Will Champion, Chris Martin — "We Gonna Make It Shine" (Vocal Team) Non-album single Bumzu, Woozi, DK, Seungkwan, Joshua — "Without You" (모자를눌러쓰고)
Choi Seung-cheol (Korean: 최승철; born August 8, 1995), professionally known by his stage name S.Coups (에스쿱스), is a South Korean rapper, singer and songwriter.. Managed by Pledis Entertainment, he is the leader of the South Korean boy band Seventeen, and also the leader of its hip hop te
Love & Letter, also known as First ' Love & Letter ', [1] [2] is the debut studio album by South Korean boy group Seventeen. It was released on April 25, 2016 through Pledis Entertainment . [ 3 ] The album is a follow-up to the group's first two EPs , 17 Carat and Boys Be (2015).
Hong Yoo from The Korea Herald praised the song, writing that "Seventeen went wild blasting its fierce energy not only through the music itself but also through choreography". [12] IZM's Jeong Su-min writing that the song "catches the eye with an attractive first impression", although Jeong criticized the song for "reinforc[ing] orientalism". [11]