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In the 1880s and 1890s, book folding machines by Brown and Dexter came onto the market, and by the 1910s hand-folding was rare, with one publisher declaring them to be "practically obsolete" in 1914. [1] The folding process is also necessary to produce print products other than books—for instance mailings, magazines, leaflets etc.
Limp binding of an incunable, made of vellum with broken book clasp of the 15th century. Limp binding is a bookbinding method in which the book has flexible cloth, leather, vellum, or (rarely) paper sides. [1] When the sides of the book are made of vellum, the bookbinding method is also known as limp vellum. [2]
The step before book trimming is the binding of the folded printing sheets. Trimming is performed either with a hydraulic book trimmer that is able to cut a whole book in one or two passes or, until the invention of hydraulic book trimmers, with a cutting press (or lying press) and plough .
A section (also a gathering and quire if unprinted) [37] is a group of bifolia folded together. [38] In a finished book, each section is sewn through the fold. The number of bifolia determine the name of the section: [39] duernion — two bifolia, producing four leaves; ternion — three bifolia, producing six leaves;
A quilled basket of flowers. Paper craft is a collection of crafts using paper or card as the primary artistic medium for the creation of two or three-dimensional objects. . Paper and card stock lend themselves to a wide range of techniques and can be folded, curved, bent, cut, glued, molded, stitched, or layere
Bone folders Bone folders made of (L-R) Teflon, teflon, bone and wood. A bone folder, bonefolder, or folding bone is a dull-edged hand tool used to fold and crease material in crafts such as bookbinding, [1] [2] cardmaking, [3] origami, [4] and other paper crafts that require a sharp crease or fold.
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The cut-up and the closely associated fold-in are the two main techniques: Cut-up is performed by taking a finished and fully linear text and cutting it in pieces with a few or single words on each piece. The resulting pieces are then rearranged into a new text, such as in poems by Tristan Tzara as described in his short text, TO MAKE A DADAIST ...