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Salt-Water Poems and Ballads is a book of poetry on themes of seafaring and maritime history by British future Poet Laureate John Masefield. It was first published in 1916 by Macmillan, with illustrations by Charles Pears. The collection includes "Sea-Fever" and "Cargoes", two of Masefield's best known poems.
The Rime of the Ancient Mariner (originally The Rime of the Ancyent Marinere), written by English poet Samuel Taylor Coleridge in 1797–98 and published in 1798 in the first edition of Lyrical Ballads, is a poem that recounts the experiences of a sailor who has returned from a long sea voyage.
John Edward Masefield OM (/ ˈ m eɪ s ˌ f iː l d, ˈ m eɪ z-/; 1 June 1878 – 12 May 1967) was an English poet and writer, and Poet Laureate from 1930 until his death in 1967. Among his best known works are the children's novels The Midnight Folk and The Box of Delights, and the poems "The Everlasting Mercy" and "Sea-Fever".
Another Masefield poem, Sea Fever (1902), which includes spondees contains these lines: And the wheel's kick and the wind's song and the white sail's shaking, And a grey mist on the sea's face, and a grey dawn breaking.
The majority of his output consists of piano miniatures and of songs with piano. His best-known works include the short instrumental or orchestral work "The Holy Boy", a setting of the poem "Sea-Fever" by John Masefield, a formerly much-played Piano Concerto, the hymn tune Love Unknown and the choral motet "Greater Love Hath No Man".
The lines have a powerful, rolling, and very evident rhythm, and they rhyme in a way that is impossible to ignore. In other words, the physicality of the language—how it sounds and feels—accounts for a large measure of the poem's effect. The poem does not have a deep, hidden, symbolic meaning. Rather, it is simply pleasurable to read, say ...
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We'll find far out on the sea. (Chorus) A life on the ocean wave, A home on the rolling deep, Where the scattered waters rave, and the winds their revels keep, The winds, the winds, the winds their revels keep, (the winds, the winds, the winds their revels keep). The land is no longer in view, The clouds have begun to frown;