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In academic discussion, the term "apparitional experience" is preferred to the term "ghost" because: The term ghost implies that some element of the human being survives death and, at least under certain circumstances, can make itself perceptible to living human beings. There are other competing explanations of apparitional experiences.
Defined by narratives often featuring apparitions of the deceased, ghostlore stands as a universal phenomenon, with roots extending deeply into human history. The term "ghost" eludes a singular definition, its meaning has evolved across cultures, shaped by various interpretations rooted in religious beliefs, folklore, and historical context.
For many people, the word “ghost” conjures up one of two images: A menacing apparition that terrorizes unsuspecting homeowners, or a cute trick-or-treater covered in a white bed sheet.
The ghost hunting theme has been featured in paranormal reality television series, such as A Haunting, Ghost Adventures, Ghost Hunters, Ghost Hunters International, Ghost Lab, and Most Haunted. It is also represented in children's television by such programs as The Ghost Hunter based on the book series of the same name and Ghost Trackers .
In Charles Fort (Ireland), there is the story of a white lady, the ghost of a young woman that died on her wedding night. Her death was a suicide which followed the death of her husband at the hand of her father. She came back as a ghost to search for her father, and now every year on her marriage night you can hear her scream. [25] [26] [27]
In folklore, a ghost is the soul or spirit of a dead person or non-human animal that is believed by some people to be able to appear to the living. In ghostlore, descriptions of ghosts vary widely, from an invisible presence to translucent or barely visible wispy shapes to realistic, lifelike forms.
The one genre supernatural fiction appears to embrace in its entirety is the traditional ghost story. [2] The fantasy and supernatural fiction genres would often overlap and may be confused for each other, though there exist some crucial differences between the two genres.
Hamlet, Prince of Denmark, Act I, Scene IV by Henry Fuseli (1789). Hauntology (a portmanteau of haunting and ontology, also spectral studies, spectralities, or the spectral turn) is a range of ideas referring to the return or persistence of elements from the social or cultural past, as in the manner of a ghost.