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The lekythos was used for anointing unmarried women's dead bodies, and many lekythoi are found in tombs. The images on lekythoi were often depictions of daily activities or rituals. Because they are so often used in funerary situations, they may also depict funerary rites, a scene of loss, or a sense of departure as a form of funerary art ...
The Thanatos Painter (5th century BCE) was an Athenian Ancient Greek vase painter who painted scenes of death on white-ground cylindrical lekythoi. [1] All of the Thanatos Painter's found lekythoi have scenes of or related to death (thanatos in Greek) on them, including the eponymous god of death Thanatos carrying away dead bodies. [2]
The lekythos was another style of funerary vase that usually held ritual oil. It had a slender body with a single handle. One famous artist of lekythoi was the Achilles Painter. Funeral lekythoi were often painted in the white ground technique. The kylix, popular at symposiums, was a stout drinking cup with a very wide bowl.
English: Attic funerary lekythos for Myrrhine, represented while she is taken by hand by Hermes psychopompos to be escorted to Hades. From Athens, circa 420/410 BC. From Athens, circa 420/410 BC. On display in Room 10 of the National Archaeological Museum in Athens .
The loutrophoros was used to carry water for a bride's pre-nuptial ritual bath, and in funeral rituals, and was placed in the tombs of the unmarried. [1] The loutrophoros itself is a motif for Greek tombstones, either as a relief (for instance, the lekythos on the Stele of Panaetius) or as a stone vessel.
Ancient Greek funerary practices are attested widely in literature, the archaeological record, and in ancient Greek art. Finds associated with burials are an important source for ancient Greek culture , though Greek funerals are not as well documented as those of the ancient Romans .
The fifth style was polychrome lekythos painting. It replaced Early Classical lekythos painting around the middle of the 5th century BC. By this time, white-ground can be identified most closely with three principal shapes: the lekythos, the krater, and cups. [9] Black shiny slip and white paint now disappeared from the paintings.
A lekythos by the Reed Painter is one of only a few white-figure examples that depict a horseman at a tomb; unusually, the youth sits at the tomb with his horse rather than riding it. [3] He may be an ephebe in training for the cavalry, as he wears the black cloak ( chlamys ) that was characteristic attire for the Athenian ephebe at certain ...