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The Coatlicue statue is one of the most famous surviving Aztec sculptures. It is a 2.52 metre (8.3 ft) tall andesite statue by an unidentified Mexica artist. [1] Although there are many debates about what or who the statue represents, it is usually identified as the Aztec deity Coatlicue ("Snakes-Her-Skirt"). [2]
Coatlicue (/ k w ɑː t ˈ l iː k w eɪ /; Classical Nahuatl: cōātl īcue, Nahuatl pronunciation: [koː(w)aːˈt͡ɬiːkʷeː] ⓘ, "skirt of snakes"), wife of Mixcōhuātl, also known as Tēteoh īnnān (pronounced [teːˈtéoʔˈíːnːaːn̥], "mother of the deities") is the Aztec goddess who gave birth to the moon, stars, and Huītzilōpōchtli, the god of the sun and war.
Cihuateteo can be characterized as “fearsome figures with clenched, claw-like fists, macabre, bared teeth and gums and aggressive poses.” [1] Sitting with their clawed feet tucked beneath their skirts, they seem at once in repose and ready to attack. In Aztec art, the postpartum female body is often depicted with pendulous breasts and ...
El Tepozteco is an archaeological site in the Mexican state of Morelos.It consists of a small temple to Tepoztēcatl, the Aztec god of the alcoholic beverage pulque. [1]In the middle Postclassic Period, various terraces and a small pyramid were built on one of the peaks of the Sierra de Tepoztlan, overlooking the pre-Columbian town of Tepoztlan.
Ancient Aztec paintings often depict the boat floating on the flood waters beside a mountain. The heads of a man and a woman are shown in the air above the boat and a dove is also depicted. In its mouth the dove is carrying a hieroglyphic symbol representing the languages of the world, which it is distributing to the children of Coxcox.
The Aztec names of the Deities are known because their names are glossed in the Codex Telleriano-Remensis and Codex Tudela. Seler argued that the 9 lords each corresponded to one of the nine levels of the underworld and ruled the corresponding hour of the nighttime; this argument has not generally been accepted, since the evidence suggests that ...
Patolli and its variants were played by a wide range of pre-Columbian Mesoamerican cultures and were known all over Mesoamerica: it was played by the Teotihuacanos (the builders of Teotihuacan, ca. 200 BC - 650 AD), the Toltecs (ca. 750 - 1000), the inhabitants of Chichen Itza (founded by refugee Toltec nobles, ca. 1100 - 1300), the Aztecs (who claimed Toltec descent, 1168 - 1521) and all of ...
Most producers make their rugs on foot pedal looms using wool dyed with natural materials such as indigo and the cochineal bug. [12] Rugs are also produced in Mitla, Santa Ana del Valle and Tlacolula de Matamoros along with blankets and a type of sarape. [10] One distinguishing feature of Oaxaca rug production is the use of the cochineal insect.