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Musical settings include Mozart's motet Ave verum corpus (K. 618), [2] as well as settings by William Byrd and Sir Edward Elgar. Not all composers set the whole text. For example, Mozart's setting finishes with "in mortis examine", Elgar's with "fili Mariae". Marc-Antoine Charpentier composed three versions: H.233, H.266, H.329.
Ave regina caelorum á 5 (ATTBarB) – Claimed to be by "Mr Byrde" in the Paston Lute Book, however the editors of the Tudor Church Music Book attributed the work to John Taverner. Joint commissions [ edit ]
Ave verum corpus ("Hail, True Body"), K. 618, is a motet in D major composed by Wolfgang Amadeus Mozart in 1791. It is a setting of the Latin hymn of the same name. Mozart wrote it for Anton Stoll, a friend who was the church musician of St. Stephan in Baden bei Wien. The motet was composed for the feast of Corpus Christi; the autograph is ...
William Byrd (/ b ɜːr d /; c. 1540 – 4 July 1623) was an English Renaissance composer. Considered among the greatest composers of the Renaissance, he had a profound influence on composers both from his native country and on the Continent. [1]
Mozart: Grosse Messe c-moll KV 427 is an 86-minute live video album of Wolfgang Amadeus Mozart's Christian vocal works Great Mass in C minor, Ave verum corpus and Exsultate, jubilate, performed by Arleen Auger, Cornelius Hauptmann, Frank Lopardo, Frederica von Stade, the Bavarian Radio Symphony Chorus and the Bavarian Radio Symphony Orchestra under the direction of Leonard Bernstein.
Ex. 1, from Ave Verum Corpus, by William Byrd. Play ⓘ In the above example, a chromatic false relation occurs in two adjacent voices sounding at the same time (shown in red). The tenor voice sings G ♯ while the bass sings G ♮ momentarily beneath it, producing the clash of an augmented unison.
Camille Saint-Saëns, who died in 1921, said of Fauré's "Pie Jesu": "Just as Mozart's is the only 'Ave verum corpus', this is the only 'Pie Jesu'." [ 1 ] Andrew Lloyd Webber 's setting of " Pie Jesu " in his Requiem (1985) has also become well known and has been widely recorded, including by Sarah Brightman , Charlotte Church , Jackie Evancho ...
Vesperae solennes de confessore (Solemn Vespers for a Confessor), K. 339, is a sacred choral composition, written by Wolfgang Amadeus Mozart in 1780. It is scored for SATB choir and soloists, violin I, violin II, 2 trumpets, 3 trombones colla parte, 2 timpani, and basso continuo (violoncello, double bass, and organ, with optional bassoon obbligato).