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Bhairavi is also called as Shubhankari, which means that she is the doer of auspicious deeds to her devotees who are her children, which means she is a good mother. She also favours violence, punishment and bloodshed to those who are irreligious and cruel, which also means that she is the mother of all violence to them.
Bhairavi (Hindi: भैरवी, Urdu: بَھیرَوی , Sindhi: راڳ ڀيروي, Bengali: ভৈরবী) is a Hindustani Classical heptatonic raga of Bhairavi thaat. [1] In Western musical terms, raga Bhairavi employs the notes of the Phrygian mode , one of the traditional European church modes .
Many of the Hindi and Urdu equivalents have originated from Sanskrit; see List of English words of Sanskrit origin. Many loanwords are of Persian origin; see List of English words of Persian origin, with some of the latter being in turn of Arabic or Turkic origin. In some cases words have entered the English language by multiple routes ...
Cast as a discourse between the god Bhairava and his consort Bhairavi it briefly presents 112 Tantric meditation methods or centering techniques . The text is a chapter from the Rudrayamala Tantra, a Bhairava Agama. Bhairavi, the goddess, asks Bhairava to reveal the essence of the way to realization of the highest reality.
Majority of scholars theorize that Bharavi was from the southern region of India. The inscriptions that mention him are from western Deccan region. R.R. Bhagawat Sastri, who first suggested that Bharavi from southern India, argues that his description of the Sahya mountains (the Western Ghats) in southern India is vivid and more realistic than his rather fanciful description of the Himalayas ...
A sculpture of Bhairava (the fearsome one). The Vijñāna-bhairava-tantra (VBT, sometimes spelled in a Hindicised way as Vigyan Bhairav Tantra) is a Shiva Tantra, of the Kaula Trika tradition of Kashmir Shaivism, possibly authored by Guru Keyūravatī. [1]
Thumri compositions are mostly in raga-s such as Kafi, Khamaj, Jogiya, Bhairavi, Pilu and Pahadi. A common feature of these and other such raga-s is the free movement they allow the artist, since they do not depend for their identity on rigidly formulated tonal sequences, irrespective of the compositions involved.
Ahir Bhairav is a Hindustani classical raga.It is a mixture of Bhairav and the ancient, rare raga Ahiri or Abhiri, [1] or perhaps a mixture of Bhairav and Kafi. [2]Important traditional Compositions