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Herbert Beerbohm Tree (1852–1917), as King John in 'King John' by William Shakespeare, Charles A. Buchel (1900). The Life and Death of King John, often shortened to King John, a history play by William Shakespeare, dramatises the reign of John, King of England (ruled 1199–1216), the son of Henry II and Eleanor of Aquitaine and the father of Henry III.
The novel Uncanonized (1900) by Margaret Horton Potter features King John. [6] King John is the subject of A. A. Milne's poem for children, King John's Christmas (1927), which begins "King John was not a good man", but slowly builds sympathy for him as he fears not getting anything for Christmas, when all he really wants is a rubber ball. [8]
The Plays of William Shakespeare was an 18th-century edition of the dramatic works of William Shakespeare, edited by Samuel Johnson and George Steevens. Johnson announced his intention to edit Shakespeare's plays in his Miscellaneous Observations on Macbeth (1745), and a full Proposal for the edition was published in 1756.
The King promised “faithfully to follow” the example of his mother in a speech in Westminster Hall as both Houses of Parliament gathered to express their condolence to the new monarch.
Tolstoy on Shakespeare. [5] [6] D. H. Lawrence, 1928: "When I read Shakespeare I am struck with wonder that such trivial people should muse and thunder in such lovely language. . . How boring, how small Shakespeare's people are! Yet the language so lovely! like the dyes from gas-tar." "When I Read Shakespeare" in The Complete Poems of D. H ...
Furthermore, throughout the four essays Bloom and Jaffa engage the critical literature on Shakespeare by citing several past literary analyses; however, these citations are to earlier and non-contemporary figures as the Earl of Shaftesbury, John Upton, Samuel Taylor Coleridge, and A.C. Bradley. They refer to only one critical work from the ...
Though Harmon's conception of the problem-plays does not align with the common understanding of Shakespeare's problem-plays, he does provide examples of the social dilemmas that Shakespeare addresses through these plays. The common social problem, per Harmon, is the tension between laws establishing order and the natural tendencies of humans.
The couplet points out that the desire the youth has for flattery hurts the praise he receives, because that praise is not the simple, and ideal description — it is mere flattery. This is an idea that sounds like the problem Cordelia has in King Lear: Whatever she can say about her father, he wants flattery, and she cannot satisfy that desire.