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However, the drawing shows little resemblance to the latter. Historians suggest that many of the backdrops of the drawings were copied from drawing manuals. One such example is a drawing of the greater mousedeer, the background of which shows a leafless climber attached to a rock. Some scholars query this, as mousedeer do not live in such rocky ...
The only way to become a glass modeler of skill, I have often said to people, is to get a good great-grandfather who loved glass." Cactus model. The Blaschkas' primary technique was lampworking, in which glass is melted over a flame fed by air from a foot-powered bellows, then shaped using tools to pinch, pull or cut; forms were blown as well. [13]
The plants or useful parts of plants are illustrated. Cheng Yaotian (1736-1796) observed plants in nature and cultivated them. The drawings accompanying his text resemble herbarium specimens, emphasizing flower and fruit details. Wu Qijun (1789-1847)'s Illustrated Catalogues of Plants (1848) also relied on direct observation of plants in nature.
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
Canvas prints are used as final output for fine art pieces or for reproduction of other types of two dimensional art (drawings, paintings, photograph, etc.). Canvas prints are often used as a cheaper alternative to framed artwork as there is no glazing required and the stretcher is not usually visible, so the prints do not need to be varnished ...
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The first in Ross-Craig's series Drawings of British Plants was published in 1948. [5] The series was issued as a set of inexpensive paperbacks retailing initially for 6 shillings, [9] a departure from similar books for professionals and wealthy amateurs.
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