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A Qingbai porcelain bottle from Jingdezhen is the earliest piece of Chinese porcelain documented to have reached Europe; this is the Fonthill Vase, which was brought to Europe in the middle of the 14th century. [35] Under the Yuan dynasty, Jingdezhen's finest whitewares changed to Shufu ware, named after the two character inscription on some ...
Chinoiserie entered European art and decoration in the mid-to-late 17th century; the work of Athanasius Kircher influenced the study of Orientalism.The popularity of chinoiserie peaked around the middle of the 18th century when it was associated with the Rococo style and with works by François Boucher, Thomas Chippendale, and Jean-Baptist Pillement.
In the early 20th century, the development of the classic blue and white Jingdezhen ware porcelain was dated to the early Ming period, but consensus now agrees that these wares began to be made around 1300–1320, and were fully developed by the mid-century, as shown by the David Vases dated 1351, which are cornerstones for this chronology.
The David Vases are a pair of blue-and-white temple vases from the Yuan dynasty. The vases have been described as the "best-known porcelain vases in the world" [ 1 ] and among the most important blue-and-white Chinese porcelains .
Porcelain was a Chinese invention and is so identified with China that it is still called "china" in everyday English usage. Pair of famille rose vases with landscapes of the four seasons, 1760–1795. Most later Chinese ceramics, even of the finest quality, were made on an industrial scale, thus few names of individual potters were recorded.
The David Vases, said to be two of the best-known Chinese porcelains in the world. The Percival David Foundation of Chinese Art (abbreviated as the PDF) held a collection of Chinese ceramics and related items assembled by Percival David that are on permanent display in a dedicated gallery in Room 95 at the British Museum.