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Lorenzo Bartolini, (Italian, 1777–1850), La Table aux Amours (The Demidoff Table), Metropolitan Museum of Art, New York City, Marble sculpture. Marble has been the preferred material for stone monumental sculpture since ancient times, with several advantages over its more common geological "parent" limestone, in particular the ability to absorb light a small distance into the surface before ...
Rachel Ruysch had many followers. At some point in the 18th-century, this painting was copied, and the copy is kept at the Ashmolean museum.A well-documented copyist of Ruysch's works was the Dutch painter Catharina Backer, who also owned two of Ruysch's paired large canvases, commissioned by her father-in-law, the art collector Pieter de la Court van der Voort, in 1710.
The Marble Arch is a 19th-century white marble-faced triumphal arch in London, England. The structure was designed by John Nash in 1827 as the state entrance to the cour d'honneur of Buckingham Palace ; it stood near the site of what is today the three-bayed, central projection of the palace containing the well-known balcony. [ 1 ]
Townley Vase John Zoffany's painting Charles Townley in his Gallery shows both the Townley Vase (on top of the bookcase) and the Townley Venus statue.. The Townley Vase [1] is a large Roman marble vase of the 2nd century, discovered in 1773 by the Scottish antiquarian and dealer in antiquities Gavin Hamilton in excavating a Roman villa [2] at Monte Cagnola (Montecanino) considered to have been ...
The hill was located in the north-east corner of Hyde Park, close to Marble Arch, at the western end of London's Oxford Street. The 25-metre (82 ft) high hill [ 2 ] was built from scaffolding covered with sedum turf and a number of trees, [ 3 ] [ 4 ] with 130 steps up [ 5 ] (or a lift) [ 6 ] to a viewing platform at the top and an events space ...