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In a contemporary review for Houses of the Holy, Gordon Fletcher of Rolling Stone criticized "Over the Hills and Far Away", calling the track dull, as well as writing the track is "cut from the same mold as "Stairway to Heaven", but becomes dull without that song's torrid guitar solo". [11] The song has received greater acclaim in more recent ...
Clockwise, from top left: Jimmy Page, John Bonham, Robert Plant, John Paul Jones Led Zeppelin were an English rock band who recorded 94 songs between 1968 and 1980. The band pioneered the concept of album-oriented rock and often refused to release popular songs as singles, [1] instead viewing their albums as indivisible, complete listening experiences, and disliked record labels re-editing ...
The song begins in a slow tempo with acoustic instruments (guitar and recorders) before introducing electric instruments. The final section is an uptempo hard rock arrangement, highlighted by Page's guitar solo and Plant's vocals, which ends with the plaintive a cappella line: "And she's buying a stairway to heaven".
Jimmy Page applied vari-speed to drop the whole song a semi-tone, to give it a thicker and more intense mood. [7] In addition to the pitch change, the album version featured a very highly compressed guitar track, giving it a tone unique to Led Zeppelin. The guitar solo effect was achieved by direct injection and compression. [6]
"Achilles Last Stand" opens with Page's Moroccan-influenced solo guitar arpeggios, which Led Zeppelin biographers have described as haunting and mysterious. [15] [12] Drummer John Bonham and bassist John Paul Jones then establish a driving hard rock rhythm that persists throughout the song.
For his guitar solo, Page employed a backwards echo (where the echo is heard before the note), and also put his guitar through a Leslie speaker. [3] This was a technique Page had himself used as far back as his work with the Yardbirds, and faced serious opposition from audio engineers when he tried it on the earliest Led Zeppelin recordings.
The song was performed at Led Zeppelin concerts during 1979 and 1980. During the 1979 performances, it was played directly after Page's guitar distortion and violin bow solo, which incorporated a laser strobe to add to the visual effects. [3] One such live version, from Led Zeppelin's performance at Knebworth in 1979, can be seen on the Led ...
Along with vocalist Robert Plant, Page has expressed his distaste for the track, and has called it his least favourite Led Zeppelin song. Consequently, the song was never performed live in concert. The song's music has been characterized by its "snaking" guitar riff and "catchy feel." The song makes use of ascending chord sequences.