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Scytho-Siberian art is the art associated with the cultures of the Scytho-Siberian world, primarily consisting of decorative objects such as jewellery, produced by the nomadic tribes of the Eurasian Steppe, with the western edges of the region vaguely defined by ancient Greeks.
The South African Rock Art Digital Archive(SARADA) contains over 250,000 images, tracings, and historical documents of ancient African rock art. In addition to making images of the art accessible to a much wider swath of the public, the project helps protect art from the physical damage that comes from in-person visits. [13]
The walls are decorated with portraiture of animal in color schemes of red, blue, yellow, and black and stone-laid floors. Exterior walls were layered with stone. The third deffufa is of similar structure as the Eastern Deffufa. [6] [7] The Kerma graves are distinct. They are circular pits covered with white or black pebbles in a circular mound.
The Agighiol burial included an elaborate stone tomb similar to Bosporan tombs, and its grave goods consisted of weapons, vases, and toreutics decorated in the Thraco-Scythian style, which was itself an adaptation of the North Pontic Scythian animal style art which still possessed West Asian influences; these goods were made by Greek goldsmiths ...
This is a list of nomadic people arranged by economic specialization and region. Nomadic people are communities who move from one place to another, rather than settling permanently in one location. Many cultures have traditionally been nomadic, but nomadic behavior is increasingly rare in industrialized countries .
A model of Jiangzhai, a Yangshao village. Next, a few short wattle poles would be placed around the top of the pit, and more wattle would be woven to it. It was plastered with mud, and a framework of poles would be placed to make a cone shape for the roof. Poles would be added to support the roof. It was then thatched with millet stalks.
They domesticated the horse around 3500 BCE, vastly increasing the possibilities of nomadic lifestyle, [2] [3] [4] and subsequently their economies and cultures emphasised horse breeding, horse riding, and nomadic pastoralism; this usually involved trading with settled peoples around the edges of the steppe.
The colors of the paintings vary as well, from red or black monochromes (different shades of a single color) to elaborate polychromes (many various colors). The Chumash made paint from a mixture of mineralized soil, stone mortar, and some kind of liquid binder like blood or oil from animals or mashed seeds.