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Superposed order of the Colosseum. Superposed order (also superimposed) [1] is one where successive storeys of a building have different orders. [2] The most famous ancient example of such an order is the Colosseum at Rome, which had no less than four storeys of superposed orders. [3]
The Solomonic column, also called barley-sugar column, is a helical column, characterized by a spiraling twisting shaft like a corkscrew. It is not associated with a specific classical order , although most examples have Corinthian or Composite capitals .
Particularly high-style examples follow the Louvre precedent by breaking up the facade with superimposed columns and pilasters that typically vary their order between stories. Vernacular buildings typically employed less and more eclectic ornament than high-style specimens that generally followed the vernacular development in other styles.
In graphics, superimposition is the placement of an image or video on top of an already-existing image or video, usually to add to the overall image effect, but also sometimes to conceal something (such as when a different face is superimposed over the original face in a photograph).
The large columns at Persepolis have as many as 40 or 48 flutes, with smaller columns elsewhere 32; the width of a flute is kept fairly constant, so the number of flutes increases with the girth of the column, in contrast to the Greek practice of keeping the number of flutes on a column constant and varying the width of the flute. [15]
Book VI features a return to the basic definitions at the front of the book. “ Equality ” is determined by an application of areas. If one figure; that is, a section or a segment, is “applied” to another (Halley's si applicari possit altera super alteram ), they are “equal” (Halley's aequales ) if they coincide and no line of one ...
[2] The ornament can be seen in Renaissance and Baroque architecture and is a common decoration in furniture design, silverware and ceramics. A method of drawing the complex geometry was devised by the ancient Roman architect Vitruvius through the study of classical buildings and structures.
For instance, with full PS two spheres with different radii will always coincide, because they have exactly the same shape. Conversely, with partial PS they will never coincide. This implies that, by the strict definition of the term shape in geometry, shape analysis should be performed using full PS. A statistical analysis based on partial PS ...