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"When You Walk in the Room" is a song written and recorded by Jackie DeShannon. It was initially released as a single on November 23, 1963, [ 1 ] as the B-side to "Till You Say You'll Be Mine". It was re-released as an A-side in September 1964, and later included on the album Breakin' It Up on the Beatles Tour .
Printable version; In other projects ... "When You Walk in the Room" ... The lyrics are a first-person account of a friend comforting a woman who is regretful after a ...
Perhaps the most known version of "Till You Say You'll Be Mine", though never a hit, was the first ever single recorded by Australian singer Olivia Newton-John.As the prize for winning a talent competition on Australian TV series Sing, Sing, Sing in 1965, Newton-John went to the United Kingdom and recorded the song as her debut single, being released by Decca Records on 13 May 1966.
"Needles and Pins" is a rock song credited to American writers Jack Nitzsche and Sonny Bono. Jackie DeShannon recorded it in 1963 and other versions followed. The most successful ones were by the Searchers, whose version reached No. 1 on the UK singles chart in 1964, and Smokie, who had a worldwide hit in 1977.
If you'll step in one moment, dear, you shall behold yourself." "I thank you, gentle sir," she said, "for what you're pleased to say, And bidding you good morning now, I'll call another day." V. The spider turned him round about, and went into his den, For well he knew, the silly fly would soon come back again:
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"Morning Dew", also known as "(Walk Me Out in the) Morning Dew", is a contemporary folk song by Canadian singer-songwriter Bonnie Dobson. The lyrics relate a fictional conversation in a post-nuclear holocaust world. Originally recorded as a solo performance, Dobson's vocal is accompanied by her finger-picked acoustic guitar playing.
On 23 April 2012 a Deluxe version of The Visitors was released. One of its bonus tracks was a demo medley of "Like an Angel Passing Through My Room" called "From a Twinkling Star to a Passing Angel" put together by Benny Andersson, who feels that the song is one of the best that he and Björn wrote during the ABBA years, but is uncertain whether the final version is the ultimate one.