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The strings of the guitar are tuned two whole steps lower than standard tuning. The resulting notes can be described most commonly as C-F-A♯-D♯-G-C or C-F-B♭-E♭-G-C. This is not to be confused with C ♯ tuning, which is one and one half steps lower than standard tuning. The tuning is commonly used by metal and hard rock artists to ...
Baritone clef C major scale, baritone F-clef. Play ⓘ Baritone clef C major scale, baritone C-clef. Play ⓘ When the F-clef is placed on the third line, it is called the baritone clef. Baritone clef was used for the left hand of keyboard music (particularly in France; see Bauyn manuscript) and for baritone parts in vocal music. A C-clef on ...
having six semitones in its interval, augmented-fourths tuning repeats its notes after two (12/6) strings. Regular tunings have symmetrical scales all along the fretboard. This makes it simpler to translate chords into new keys. For the regular tunings, chords may be moved diagonally around the fretboard.
G clef (Treble clef) The spiral of a G clef (not a point on the spiral, but the center around which the spiral is drawn) shows where the G above middle C is located on the staff. A G clef with the spiral centered on the second line of the staff is called treble clef. [2] The treble clef is the most commonly encountered clef in modern notation ...
The Drop C variation of this tuning (C-C-G-C-F-A-D) was used by James Hetfield on an ESP 7-String Guitar when Metallica were recording the song "Some Kind Of Monster" from the album St. Anger. Drop A 7-string tuning – A'-E-A-d-g-b-e' This is the standard seven-string tuning with the low B string dropped to A. Standard Choro tuning – C-E-A-d ...
The C–C–G–C–E–G tuning uses some of the harmonic sequence (overtones) of the note C. [33] [34] This overtone-series tuning was modified by Mick Ralphs, who used a high C note rather than the high G note for "Can't Get Enough" on Bad Company. Ralphs said, "It needs the open C to have that ring," and "it never really sounds right in ...
If the notes G ♯ and E ♭ need to be sounded together, the position of the wolf fifth can be changed. For example, a C-based Pythagorean tuning would produce a stack of fifths running from D ♭ to F ♯, making F ♯-D ♭ the wolf interval. However, there will always be one wolf fifth in Pythagorean tuning, making it impossible to play in ...
The bass clef or F clef identifies the second line down as the note F below middle C. While the treble and bass clef are the most widely used, other clefs, which identify middle C, are used for some instruments, such as the alto clef (for viola and alto trombone) and the tenor clef (used for some cello, bassoon, tenor trombone, and double bass ...