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A similar contrapposto stance, twisted upper torso, and a long contour-hugging veil characterize the sculpture. [15] In the mid-19th century, there was a resurgence in popularity of the veiled woman motif after the example of Corradini partially due to the image of a veiled woman becoming an allegory for Italian unification. [16]
One scene shows her in the house's sculpture gallery. The first sculpture shown is the Veiled Vestal, with the camera focusing on the figure's face whilst panning around it. It then cuts to show a wider view with Elizabeth closely regarding the figure's face while the camera pans around the rear of the sculpture.
6 For if a woman will not veil herself, then she should cut off her hair; but if it is disgraceful for a woman to be shorn or shaven, let her wear a veil. 7 For a man ought not to cover his head, since he is the image and glory of God; but woman is the glory of man.
The veil gives the appearance of being translucent, but is carved of marble. The technique is similar to Giuseppe Sanmartino 's 1753 statue Veiled Christ in the Cappella Sansevero in Naples . The statue was transported to Newfoundland in 1856, as recorded on December 4 in the diary of Bishop John Thomas Mullock : "Received safely from Rome, a ...
The fringed veil drapes over her face, head and shoulder, and dangled unevenly above her feet. Her translucent attire further highlights the contour of her body. The illusion of a diaphanous veil and clinging dress created by the craftsmanship of Benzoni are the most noteworthy and skillful aspects of the sculpture.
A honggaitou (Chinese: 紅蓋頭; pinyin: hónggàitou), also shortened to gaitou (Chinese: 蓋頭; pinyin: gàitou; lit. 'head cover') [1] and referred to as red veil in English, [2]: 37 is a traditional red-coloured bridal veil worn by the Han Chinese brides to cover their faces on their wedding ceremony before their wedding night.
The Veiled Nun is a 20.75 in (52.7 cm) tall marble bust depicting a female figure wearing a veil. The fine details give the illusion that the veil is transparent. Although the title, The Veiled Nun, was already in use in 1874 when the work was first displayed in public, [3] she is
A Hindu woman with a ghoonghat veil. A ghoonghat (ghunghat, ghunghta, ghomta, orhni, odani, laaj, chunari, jhund, kundh) is a headcovering or headscarf, worn primarily in the Indian subcontinent, by some married Hindu, Jain, and Sikh women to cover their heads, and often their faces.