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According to tradition, women who did not have hand tattoos would be denied access to the afterlife by Sedna, while women without facial tattoos were sent to the land of Noqurmiut, the "land of the crestfallen" where women would spend an eternity with smoke coming from their throat and their head hanging downwards. [9]
The tattoos could represent pride in being a woman, beauty, and protection. [4] They were associated with rites of passage for women and could indicate marital status. The motifs and shapes varied from island to island. Among some peoples it was believed that women who lacked hajichi would risk suffering in the afterlife. [5]
A Samoan woman with malu. Malu is a word in the Samoan language for a female-specific tattoo of cultural significance. [1] The malu covers the legs from just below the knee to the upper thighs just below the buttocks, and is typically finer and delicate in design compared to the Pe'a, the equivalent tattoo for males.
Godna, also known as Khoda, is an ancient traditional form of tattoo art originating from the tribal communities of Northern and Central India. [1] [2] These tattoos are characterized by intricate designs and vivid colors, often depicting elements of nature, mythology, and daily life. [3] [4]
The tattooing practice is most often found in preliterate tribal communities, with women playing the chief role in this custom, both performing the ritual of applying tattoos and wear them. Among other things the tattoos may have been a symbol of sexual maturity, ancestry and tribal affiliations, as well as religious beliefs. [6]
A Bengali bride in London with hands decorated with mehndi and bangles Mehndi applied on the palms Mehndi applied on the backs of the hand. Mehndi (pronunciation ⓘ) is a form of temporary skin decoration using a paste created with henna. In the West, mehndi is commonly known as henna tattoo, although it is not a permanent tattoo. [1]
The tavluġun is an Indigenous Iñupiaq chin tattoo worn by women. [1] [2] [3] Women received tavlugun after puberty when they were of an age to be married and demonstrated their inner strength and tolerance for pain. [1] Marjorie Tahbone (Inupiaq/Kiowa) is a tattoo artist dedicated to reviving customary Alaska Native tattoos such as tavlugun ...
In women, for whom tattoos were largely decorative, they were also tattooed with the babalakay, usually on the throat and sometimes on the forearms, in addition to one or both thighs; and the tutungrat, a series of lines and dots on the back of the hands and fingers. [31] Women's thigh tattoos were normally hidden by the tapis. [29]