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"Buddy Holly" is a song by the American rock band Weezer. The song was written by Rivers Cuomo and released by DGC as the second single from the band's debut album, Weezer (The Blue Album) (1994). The lyrics reference the song's namesake, 1950s rock-and-roll singer Buddy Holly, and actress Mary Tyler Moore.
The original broadcast included a curtain call behind the closing credits, during which Mary Tyler Moore introduced her co-stars to the live audience as "the best cast ever." This was omitted from the final CBS repeat (on September 3, 1977) and syndicated airings, but is available on the season 7 DVD release.
Weezer performing in 2015. From left to right: Brian Bell, Scott Shriner, Patrick Wilson, and Rivers Cuomo. This is a list of every song ever released by American rock band Weezer. It gives information about songwriter(s), original release, and year of release.
Now, Weezer is set to mark the Blue Album's 30th anniversary with a tour starting in September on which the Los Angeles-based band will perform the record from beginning to end, including hit ...
Of all the celebrities mourning the loss of Mary Tyler Moore, perhaps no one knew her better than her former co-star Dick Van Dyke.
Weezer has been described as a fusion of "chart-angled hook-craft" with "roaring" guitar distortion, confessional lyrics and "unashamedly vibrant" melodies.Andy Price of Guitar.com observed that the album's sound and aesthetic were "distinctly non-alternative", stating that the band instead "took their style cues from the DIY slackers of the lo-fi indie scene, albeit with a broader audience in ...
Mary Tyler Moore's big career break came in 1961 when she was cast as Dick Van Dyke's wife Laura in The Dick Van Dyke Show. Here Van Dyke, now 91, remembers his friend of six decades, who died Jan ...
Mary Tyler Moore (December 29, 1936 – January 25, 2017) was an American actress, producer, and social advocate. She is best known for her roles on The Dick Van Dyke Show (1961–1966) and especially The Mary Tyler Moore Show (1970–1977), which "helped define a new vision of American womanhood" [1] and "appealed to an audience facing the new trials of modern-day existence".