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These creation myths may include the origins of the universe and everything, the origins of humans, or the origins of specific groups, such as a Han Chinese in descent from Yandi and Huangdi (as 炎黃子孫, "Descendants of the Flame and Yellow Emperors"). Various myths contain explanations of various origins and the progress of cultural ...
Chinese creation myths are symbolic narratives about the origins of the universe, earth, and life. Myths in China vary from culture to culture. In Chinese mythology, the term "cosmogonic myth" or "origin myth" is more accurate than "creation myth", since very few stories involve a creator deity or divine will.
However, the study of Chinese mythology tends to focus upon material in the Chinese language. Much of the mythology involves exciting stories full of fantastic people and beings, the use of magical powers, often taking place in an exotic mythological place or time. Like many mythologies, Chinese mythology has in the past been believed to be, at ...
The timeline of Chinese mythology starts with P'an-Ku and ends with Yu the Great, spanning from 36,000 years before the creation of the Earth to circa 2000 BC (time of Yu's rule, when he managed to overcome the Epic Flood).
Sìmiànshén (四面神, "Four-Faced God"), but also a metaphor for "Ubiquitous God": The recent cult has its origin in the Thai transmission of the Hindu god Brahma, but it is also an epithet of the indigenous Chinese god Huangdi who, as the deity of the centre of the cosmos, is described in the Shizi as "Yellow Emperor with Four Faces ...
In this story, a man named Xi Xuanzan (奚宣贊) meets a girl, her mother, and her grandmother; he falls in love with the mother — who is dressed in white — but the girl warns him that her mother has killed all her previous lovers. A Daoist exorcist exposes the mother as a white snake; her daughter is a black chicken and the grandmother an ...
This story hints at an even older stratum of legend behind the Maid Ma cult: like other territorial gods known to Chinese religious history, she may have begun as a theriomorphic deity (perhaps snake-headed) who gradually metamorphosed into a human being and finally – the process culminating in Ge Hong's Traditions narrative – into a full ...
The Great Race is a folk story that describes the creation of the Chinese zodiac calendar that includes twelves animals each representing a specific year in a twelve-year cycle. Chinese folklore contains many symbolic folk meanings for the objects and animals within the folktales. One example of this is the symbolic meaning behind frogs and toads.