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L'Orfeo (SV 318) (Italian pronunciation: [lorˈfɛːo]), or La favola d'Orfeo [la ˈfaːvola dorˈfɛːo], is a late Renaissance/early Baroque favola in musica, or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio.
While Monteverdi's own impressions of the work are unknown, the duke realised the potential of this new art form and sought to gain prestige from the patronage of it. [4] Therefore, he commissioned Monteverdi in late 1606 for a work which is now considered as the "birth of Western Opera", [5] L'Orfeo, on a libretto by Alessandro Striggio the ...
The first recording of L'Orfeo was issued in 1939, a freely adapted version of Monteverdi's music edited by Giacomo Benvenuti, [1] given by the orchestra of La Scala Milan conducted by Ferrucio Calusio. [2] [3] [4] In 1949 the Berlin Radio Orchestra under Helmut Koch recorded the complete opera, on long-playing records (LPs).
In his work, Monteverdi incorporates the "speech-song" or recitative first used in Jacopo Peri's opera Dafne and Giulio Caccini's Euridice, both direct precursors of L'Orfeo, and adds solo arias, duets, ensembles, dances and instrumental interludes.
Monteverdi employs many musical styles; the more traditional features, such as cantus firmus, falsobordone and Venetian canzone, are mixed with the latest madrigal style, including echo effects and chains of dissonances. Some of the musical features used are reminiscent of L'Orfeo, written slightly earlier for similar instrumental and vocal forces.
Claudio Monteverdi by Bernardo Strozzi, 1640. 1607 L'Orfeo (Claudio Monteverdi). Widely regarded as the first operatic masterwork. [2] 1640 Il ritorno d'Ulisse in patria (Monteverdi). Monteverdi's first opera for Venice, based on Homer's Odyssey, displays the composer's mastery of portrayal of genuine individuals as opposed to stereotypes. [3]
"Possente spirto, e formidabil nume" ("Mighty spirit and formidable god") is a key aria [1] from Act 3 of Claudio Monteverdi's opera L'Orfeo, where Orpheus attempts to persuade Charon to allow him to pass into Hades and find Euridice.
February 24 – Première of Claudio Monteverdi's opera L'Orfeo, with libretto by Alessandro Striggio the Younger, at the Ducal Palace of Mantua. March 1 – Francesco Gonzaga writes that the Duke of Mantua is pleased with Monteverdi's L'Orfeo and that the work had "been to the great satisfaction of all who heard it". [1]