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Wikipedia @ 20 is a book of essays about Wikipedia published by the MIT Press in late 2020, marking 20 years since the creation of Wikipedia.It was edited by academic and author Joseph M. Reagle Jr. and social researcher Jackie Koerner.
This is an accepted version of this page This is the latest accepted revision, reviewed on 24 January 2025. Scientific projections regarding the far future Several terms redirect here. For other uses, see List of numbers and List of years. Artist's concept of the Earth 5–7.5 billion years from now, when the Sun has become a red giant While the future cannot be predicted with certainty ...
I would like to be able to permanently change the CSS, and have wanted to since the stupid change several years ago when the font size was set to 0.8em. Now it's up to 0.875em, which is heading in the right direction, but still not right. 121.72.177.244 02:40, 5 April 2014 (UTC)
“Things change. And friends leave. Life doesn’t stop for anybody.” — Stephen Chbosky, “The Perks of Being a Wallflower” “We cannot change what we are not aware of, and once we are ...
If the size of the text on your screen is too hard to read comfortably, you can easily change it. Learn how to make the font bigger or smaller on your web browser.
On the Future: Prospects for Humanity is a 2018 nonfiction book by British cosmologist and Astronomer Royal Martin Rees. [1] It is a short, "big concept" book on the future of humanity and on potential dangers, such as nuclear warfare, climate change, biotech, and artificial intelligence, and the possibility of human extinction.
[1] [2] [3] Alongside the opening to the anime season titled "The Last Titan" the release of the song marked the first time in four and a half years the band created a new song. [ 4 ] [ 2 ] The song features vocals performed by Yui Ishikawa and Yuki Kaji , who voiced the characters Mikasa Ackerman and Eren Yeager in the anime respectively.
The project was conceived by Katie Paterson during the summer of 2014. It is managed by the Future Library Trust and supported by the City of Oslo, Norway.It was produced for the Slow Space public art program and commissioned by Bjørvika Utvikling, the partly publicly owned corporation developing Bjørvika, Oslo's former container port.