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Faux finishing has been used for millennia, from cave painting to the tombs of ancient Egypt, but what we generally think of as faux finishing in the decorative arts began with plaster and stucco finishes in Mesopotamia over 5,000 years ago. Faux painting became popular in classical times in the forms of faux marble, faux wood, and trompe-l ...
However, there are a great variety of both traditional and modern finishes, including faux finishes, and distressing or antiquing to make pieces look older. While refinishing is often undertaken to improve an old piece of furniture, in the case of antique furniture refinishing can significantly reduce its overall value. [citation needed]
In addition to distressing the finish, the artisan may reapply historical paint colors, antique-like faux finish and crackle varnishes. They might also apply period accent details, such as antique knobs on dresser drawers. Several methods involve glazes in which colors blend into crevices to give an antique appearance. The antiquing process is ...
Glaze is also used in cabinet, furniture, and faux finishing. This paragraph possibly contains original research . Please improve it by verifying the claims made and adding inline citations .
Japanning is a type of finish that originated as a European imitation of East Asian lacquerwork. It was first used on furniture, but was later much used on small items in metal. The word originated in the 17th century. American work, except in the carriage and early automobile industries, is more often called toleware. [1]
A color wash is a popular technique in faux painting using paint thinned out with glaze to create a subtle wash of color over walls or other surfaces. [1] Color washing gives a surface a translucent, watercolor appearance. [2] It can be used to add texture or accentuate natural surfaces.
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Strié is a popular form of faux painting using glaze and paint brushes to create a soft natural striped texture. Example of the strie faux painting technique over raised stencil. Strié is a negative glaze technique. The glaze is generally rolled over the entire surface, and then removed with a tool such as a brush. [1]