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The Dormition of the Mother of God is a Great Feast of the Eastern Orthodox, Oriental Orthodox, and Eastern Catholic Churches (except the East Syriac churches). It celebrates the "falling asleep" (death) of Mary the Theotokos ("Mother of God", literally translated as God-bearer), and her being taken up into heaven.
The Latin Catholic Feast of the Assumption is celebrated on 15 August and the Eastern Orthodox and Eastern Catholics celebrate the Dormition of the Mother of God (or Dormition of the Theotokos, the falling asleep of the Mother of God) on the same date, preceded by a 14-day fasting period.
The Sacred Tradition of Eastern Christianity teaches that the Virgin Mary died a natural death (the Dormition of the Theotokos, the falling asleep), like any human being; that her soul was received by Christ upon death; and that her body was resurrected on the third day after her repose, at which time she was taken up, soul and body, into heaven in anticipation of the general resurrection.
Dormition Church, Sopik; Cathedral of Our Lady of the Dormition; Dormition of the Theotokos Cathedral, Cluj-Napoca; Dormition of the Mother of God Cathedral, Varna; Dormition of the Theotokos Church, Constanța; Dormition of the Theotokos Church, Focșani; Church of the Dormition of the Theotokos, Labovë e Kryqit; Dormition of the Theotokos ...
The alternative Catholic scene from the end of the Virgin Mary's early life is the Death of the Virgin, which was more compatible with the Dormition of the Theotokos in Eastern Orthodox art and theology. Most treatments showed her lying in bed, surrounded by the Twelve Apostles, again reflecting the Golden Legend. [14]
The Death of the Virgin Mary is a common subject in Western Christian art, and is the equivalent of the Dormition of the Theotokos in Eastern Orthodox art. This depiction became less common as the doctrine of the Assumption gained support in the Roman Catholic Church from the Late Middle Ages onward.
The Madonna of humility by Domenico di Bartolo 1433 has been described as one of the most innovative devotional images from the early Renaissance [35]. Catholic Marian art has expressed a wide range of theological topics that relate to Mary, often in ways that are far from obvious, and whose meaning can only be recovered by detailed scholarly analysis.
The Epitaphios (Greek: Ἐπιτάφιος, epitáphios, or Ἐπιτάφιον, epitáphion, meaning "upon the tomb"; Slavonic: Плащаница, plashchanitsa; Arabic: نعش, naash) is a Christian religious icon, typically consisting of a large, embroidered and often richly adorned cloth, bearing an image of the dead body of Christ, often accompanied by his mother and other figures ...