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Early collotype postcard; 1882 in Nuremberg, signed by J. B. Obernetter Postcard of the "Alte Oper" in Frankfurt, about 1900. Collotype is a gelatin-based photographic printing process invented by Alphonse Poitevin in 1855 to print images in a wide variety of tones without the need for halftone screens.
From the 1880s, the Talbot-Klič process was used commercially for very high quality reproductions of old master prints, excelling in capturing variations in tone. [1] Photogravure practitioners, such as Peter Henry Emerson, brought the art to a high standard in the late 19th century.
Giclée (/ ʒ iː ˈ k l eɪ / zhee-KLAY) describes digital prints intended as fine art and produced by inkjet printers. [1] The term is a neologism, ultimately derived from the French word gicleur, coined in 1991 by printmaker Jack Duganne. The name was originally applied to fine art prints created on a modified Iris printer in a process ...
Chromolithographs are considered to be reproductions that are smaller than double demi [clarification needed], and are of finer quality than lithographic drawings which are concerned with large posters. Autolithographs are prints where the artist draws and perhaps prints his own limited number of reproductions. This is the true lithographic art ...
In 1981, Harvard University’s Fogg Museum opened an exhibition of high-quality photographic reproductions of the painting and its details. Large-format camera equipment (utilizing 20-by-24-inch negatives) and processing developed by the Polaroid Corporation made possible "photographic reproductions of unprecedented resolution and color fidelity."
The Pietro Bazzanti and Son Art Gallery (Italian: Galleria d'Arte Pietro Bazzanti e Figlio) is a historic art gallery located in Florence, Italy.Renowned for its craftsmanship of marble, bronze, alabaster, and stone sculptures and mosaics, the gallery specialises in reproductions of Classical, Neo-classical and Renaissance art, while also producing original works by contemporary artists. [1]
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