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Jacopo Peri (20 August 1561 – 12 August 1633) was an Italian composer, singer and instrumentalist of the late Renaissance and early Baroque periods. [1] He wrote what is considered the first opera , the mostly lost Dafne ( c. 1597 ), and also the earliest extant opera, Euridice (1600).
While Jacopo Peri's Dafne is generally recognised as the first work in the opera genre, and the earliest surviving opera is Peri's Euridice, L'Orfeo is the earliest that is still regularly performed. By the early 17th century the traditional intermedio —a musical sequence between the acts of a straight play—was evolving into the form of a ...
La Flora, o vero Il natal de' fiori (Flora, or The Birth of Flowers) is an opera in a prologue and five acts composed by Marco da Gagliano and Jacopo Peri to a libretto by Andrea Salvadori. It was first performed on 14 October 1628 at the Teatro Mediceo in Florence to celebrate the marriage of Margherita de' Medici and Odoardo Farnese, Duke of ...
Euridice (also Erudice or Eurydice) is an opera by Jacopo Peri, with additional music by Giulio Caccini.It is the earliest surviving opera, Peri's earlier Dafne being lost. . (Caccini wrote his own "Euridice" even as he supplied music to Peri's opera, published this version before Peri's was performed, in 1600, and got it staged two years lat
In his work, Monteverdi incorporates the "speech-song" or recitative first used in Jacopo Peri's opera Dafne and Giulio Caccini's Euridice, both direct precursors of L'Orfeo, and adds solo arias, duets, ensembles, dances and instrumental interludes. [2]
Jacopo Peri as Arion in La pellegrina. Jacopo Peri (1561–1633) Florentine who composed both the first opera ever, Dafne (1598), and the first surviving opera, Euridice (1600). [1] Claudio Monteverdi (1567–1643) Generally regarded as the first major opera composer. [2] In Orfeo (1607) he blended Peri's experiments in opera with the lavish ...
Jacopo Peri as Arion in La pellegrina. Dafne by Jacopo Peri was the earliest composition considered opera, as understood today. [1] Peri's works, however, did not arise out of a creative vacuum in the area of sung drama. An underlying prerequisite for the creation of opera proper was the practice of monody.
Caccini wrote music for three operas—Euridice (1600), Il rapimento di Cefalo (1600, excerpts published in the first Nuove musiche), and Euridice (1602), though the first two were collaborations with others (mainly Peri for the first Euridice). In addition he wrote the music for one intermedio (Io che dal ciel cader farei la luna) (1589). No ...