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The third round consists of the illustrations for cantos XV, XVI and XVII, which depict the punishment of those who sinned by violence against God, nature and art. [24] Botticelli uses thirteen drawings to illustrate the eighth circle of Hell, depicting ten chasms that Dante and Virgil descend through a ridge. [2]
The second circle of hell is depicted in Dante Alighieri's 14th-century poem Inferno, the first part of the Divine Comedy. Inferno tells the story of Dante's journey through a vision of the Christian hell ordered into nine circles corresponding to classifications of sin; the second circle represents the sin of lust , where the lustful are ...
The deeper levels are organised into one circle for violence (Circle 7) and two circles for fraud (Circles 8 and 9). As a Christian, Dante adds Circle 1 (Limbo) to Upper Hell and Circle 6 (Heresy) to Lower Hell, making 9 Circles in total; incorporating the Vestibule of the Futile, this leads to Hell containing 10 main divisions. [26]
Inferno depicts a vision of hell divided into nine concentric circles, each home to souls guilty of a particular class of sin. [3] Led by his guide, the Roman poet Virgil, Dante enters the first circle of hell in Inferno 's Canto IV. The first circle is Limbo, the resting place of souls who "never sinned" but whose "merit falls far short". [4]
There is a drop from the sixth circle to the three rings of the seventh circle, then again to the ten rings of the eighth circle, and, at the bottom, to the icy ninth circle. In Dante Alighieri 's The Divine Comedy , the City of Dis ( Italian : Dite Italian pronunciation: [ˈdiːte] ) encompasses the sixth through the ninth circles of Hell .
Dante and Virgil, a painting by William-Adolphe Bouguereau (1850), which depicts Dante and Virgil in the eighth circle of Hell, observing two damned souls in eternal combat in Hell. [85] The Divine Comedy has been a source of inspiration for countless artists for almost seven centuries. There are many references to Dante's work in literature.
The Gates of Hell (French: La Porte de l'Enfer) is a monumental bronze sculptural group work by French artist Auguste Rodin that depicts a scene from the Inferno, the first section of Dante Alighieri's Divine Comedy. It stands at 6 metres high, 4 metres wide and 1 metre deep (19.7×13.1×3.3 ft) and contains 180 figures.
Dante in Hell (1835) by Hippolyte Flandrin. Dante in Hell or Dante, led by Virgil, Consoles the Souls of the Envious is an 1835 oil painting on canvas by the French painter Hippolyte Flandrin. Contrary to its primary title, it shows a scene from the Circle of the Envious, the second circle of Purgatory in Canto III of Purgatorio. The scene ...