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The heritage of Norwegian knitting has been preserved, documented and translated into English language history, and pattern books, that are available to modern knitters, mostly notably by the author Annemor Sundbø. The yarn factory Rauma Ullvarefabrikk has also released a substantial number of Norwegian knitting patterns translated into English.
Marius Sweater is a sweater named after World War II flying ace and skier Marius Eriksen. Marius sweaters (Norwegian: Mariusgenser) are Norwegian-style knitted sweaters with patterns inspired by traditional Setesdal sweater (Norwegian: Setesdalsgenser), but without lice, a type of pattern.
Norwegian museum collection include primarily two-end knitted mittens, mostly in grey wool yarn knitted in stocking-stitch. These mittens have been worn with the inside out, exposing the horizontally ridged surface. Strands of yarn have been sewn to the inside to create a piled surface, increasing the mittens thermal insulation.
In Norwegian knitting, a selburose (Norwegian: [ˈsæ̀ɽbʉˌɾuːsə]) is a knitted rose pattern in the shape of a regular octagram. It is traditionally used for winter clothing such as the Selbu mitten ( selbuvott ) and sweaters ( lusekofte , lopapeysa and mariusgenser ).
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Detail of lusekofte pattern. The lusekofte (Norwegian: [ˈlʉ̀ːsəˌkɔftə], lice jacket), also called the Setesdalsgenser (Setesdal sweater) is a traditional Norwegian sweater, dating from the 19th century. The original sweater features a black and white design, the name referring to the isolated black stitches. [1]
In the period between 1650-1850 Hardangersom (meaning: work from Hardanger area) flourished in Norway.Flax was grown, carded, spun and woven into white fabric and thread which was used to make and decorate traditional Norwegian costume items called bunads (national costumes) as well as other items of clothing and household linens such as mats, curtains and bedspreads.
The bunads are made of different fabrics. The colored aprons are, for example, in cotton, wool, linen or silk, with patterns depending on local tradition. The headgear has traditionally varied according to marital status. [2] [3] [4] For the wedding party, the bride traditionally has a bridal crown in addition to the bunad. However, this is ...