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Alexander Mosolov in the 1950s. Alexander Vasilyevich Mosolov [n 1] (Russian: Алекса́ндр Васи́льевич Мосоло́в, romanized: Aleksandr Vasil'evič Mosolov; 11 August [O.S. 29 July] 1900 – 11 July 1973) was a composer of the early Soviet era, known best for his early futurist piano sonatas, orchestral episodes, and vocal music.
This is a selected list of compositions by Alexander Mosolov.It includes all works with an opus number regardless of the date of publication as well as all known works composed before 1936, as it has been noted that it was "impossible to discern the former avant-gardist in the works written from the late thirties onward" (Frolova-Walker 1998, p. 336n8).
Factory: machine-music (Russian: Завод: музыка машин, Zavod: muzyka mashin), Op. 19, commonly referred to as the Iron Foundry, is the most well-known work by Soviet composer Alexander Mosolov and a prime example of Soviet futurist music. It was composed between 1926 and 1927 as the first movement of the ballet suite Stal ("Steel").
Pages in category "Compositions by Alexander Mosolov" The following 2 pages are in this category, out of 2 total. This list may not reflect recent changes. ...
Alexander Veprik (1898–1958) Alexander Abramsky (1898–1985) Mischa Levitzki (1898–1941) Sophie Carmen Eckhardt-Gramatté (1899–1974) Dmitry Pokrass (1899–1978) Alexander Tcherepnin (1899–1977) Efrem Zimbalist (1889–1985) Isaak Dunayevsky (1900–1955) Isadore Freed (1900–1960) Alexander Mosolov (1900–1973) Kazimierz ...
Compositions by Alexander Mosolov (2 P) Compositions by Modest Mussorgsky ... (1 C) P. Piano compositions by Russian composers (8 C, 6 P) Compositions by Gavriil ...
Alexander Mosolov. Elegy for cello and piano, Op.2; Legend for cello and piano, Op.5 (1924) Sonata for cello and piano (1927) Wolfgang Amadeus Mozart. Sonata in G major, K379 for Cello and Piano, transcribed by Alexander Kniazev; Sonata in G major, K301 for Cello and Piano, transcribed by Alexander Kniazev
The Guardian wrote in 2018 that Ashkenazy conducted pieces by Prokofiev and Glière as if he had been "born to do it" during a concert series that explored the musical response to the Bolshevik Revolution of 1917, including composer Alexander Mosolov's Iron Foundry (1927) and the suite from The Red Poppy, a ballet with music by Glière.