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The brief High Renaissance (c. 1490 –1520) of Leonardo da Vinci, Michelangelo and Raphael transformed Catholic art more fundamentally, breaking with the old iconography that was thoroughly integrated with theological conventions for original compositions that reflected both artistic imperatives, and the influence of Renaissance humanism.
Melchior Paul von Deschwanden, [688] [689] 19th-century Swiss painter primarily known for Catholic religious art; Czesław Dźwigaj, monuments to Pope John Paul II [690] Joseph-Hugues Fabisch, famous for The Virgin of Lourdes, which caused controversy as St. Bernadette Soubirous did not approve [691] [692]
The Madonna of humility by Domenico di Bartolo 1433 has been described as one of the most innovative devotional images from the early Renaissance [35]. Catholic Marian art has expressed a wide range of theological topics that relate to Mary, often in ways that are far from obvious, and whose meaning can only be recovered by detailed scholarly analysis.
Both the subject and style are typical of traditional Catholic art. [1] While press accounts agree that the original painting was artistically unremarkable, [2] [3] [4] its current fame derives from an attempt to restore the fresco by Cecilia Giménez, then an 81-year-old untrained amateur artist, in 2012.
The Angelus (French: L'Angélus) is an oil painting by French painter Jean-François Millet, completed between 1857 and 1859.. The painting depicts two peasants bowing in a field over a basket of potatoes to say a prayer, the Angelus, that together with the ringing of the bell from the church on the horizon marks the end of a day's work.
The Old Testament restrictions against the production of graven (an idol or fetish carved in wood or stone) images (see also Idolatry and Christianity) may also have constrained Christians from producing art. Christians may have made or purchased art with pagan iconography, but given it Christian meanings, as they later did. If this happened ...