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Cloche hat as worn by silent film star Vilma Bánky, 1927. The cloche hat or simply cloche (pronunciation ⓘ) is a fitted, bell-shaped hat for women that was invented in 1908 by milliner Caroline Reboux. [1] They were especially popular from about 1922 to 1933. [2] Its name is derived from cloche, the French word for "bell". [3]
It became popular during the 1920s because it was ideal to showcase the shape of cloche hats. [1] It was worn by Josephine Baker , among others. [ 1 ] The name derives from its similarity to a hairstyle allegedly popular with schoolboys at Eton .
Reboux was the first person in fashion design to add a veil to women's hats, also promoting the vogue of colored veils. She created unique hat innovations, updating models such as the large-brimmed straw Gainsborough hats, and she is credited as one of the earliest milliners to introduce the cloche hat in 1914. For over fifty years, from about ...
One of the key accessories in the 20s was the Cloche hat. "In 1926 Vogue stated 'The Bob Rules', just 9 years after the influential dancer, Irene Castle, cut her hair. This trending topic inspired a 1920 short story by F. Scott Fitzgerald, called Bernice Bobs Her Hair, and many editorials in Vogue throughout the decade."
By the early 1930s, there was a revival of the tam in checks and plaids, alongside the fez and cloche-brimmed designs. [7] In the same year, new macramé (knotted form of weave similar to crochet) designs appeared, some being worn with matching collar and cuffs. [8]
A 1920s advert for Harrods' spring hats showcased a black straw picture hat with a wide brim embroidered with silk and chenille. [10] By the end of the 1920s, picture-style hats were changing shape, as noted by a fashion correspondent: "Hats with higher fronts to the crown are being made, and one new shape has a turned-back brim at the side, in ...
Madame Agnès was a French milliner who designed hats that were popular from the late 1920s until the 1940s. [1] Her shop was located on the Rue Saint-Honoré. [2] [3] Madame Agnès (c1925). A sculptor, she associated with people in the art circles of Paris, France. Madame Agnes styled hats that were both abstract and unique. [4]
During the Harlem Renaissance, the African-American clothing scene took a dramatic turn from the prim and proper many young women preferred, from short skirts and silk stockings to drop-waisted dresses and cloche hats. [42] Women wore loose-fitted garments and accessorized with long strand pearl bead necklaces, feather boas, and cigarette holders.