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The album contains the Top 5 hit duet "I Got You," which Jennings recorded with Anita Carter. The title track was written with Don Bowman in 1963. The same year, Jennings signed a recording contract with A&M records but his releases had little success, because the main releases of the label were folk music rather than country. [1]
"I May Be Used (But Baby I Ain't Used Up)" is a song written by Bob McDill, and recorded by American country music artist Waylon Jennings. It was released in March 1984 as the third single from the album Waylon and Company. The song reached number 4 on the Hot Country Songs chart. [1]
Printable version; In other projects Wikidata item; ... Pages in category "Songs written by Waylon Jennings" The following 20 pages are in this category, out of 20 ...
Cowboys, Sisters, Rascals & Dirt is an album by American country music artist Waylon Jennings, released in 1993 through the labels BMG and Ode 2 Kids. A concept album, it features Jennings singing compositions intended for children. All of the tracks on the record were written by the singer himself. The final song is dedicated to Jennings' son ...
Lonesome, On'ry and Mean is a studio album by American country music artist Waylon Jennings, released on RCA Victor in 1973. It was, after Good Hearted Woman and Ladies Love Outlaws, the third in a series of albums which were to establish Jennings as one of the most prominent representatives of the outlaw country movement.
It was released in September 1977 as the first single from the album Waylon & Willie. The song was Jennings' sixth number one on the country charts. The single spent two weeks at the top and a total of eleven weeks on the chart. [1] It was later covered by Kacey Musgraves for a tribute show to Jennings, the live album of which was released in 2017.
Hangin' On is most notable for the hit single "The Chokin' Kind," which rose to #9 on the country charts, Jennings' best showing up to that time. It was written by Harlan Howard , whose songs Waylon covered extensively in the 1960s.
On Country-Folk, Jennings worked with producer Danny Davis, a New York City veteran who had produced Connie Francis and Nina Simone.RCA Victor executive Chet Atkins, who also produced Jennings' albums, had called Waylon's 1966 debut Folk-Country in an attempt to market the singer to this new, younger audience, and this idea continued on Country-Folk.