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The evolution of Arabic calligraphy lead to the appearance of various scripts, including cursive styles such as Nastaliq and Ruq'ah, and more square, angular styles such as Kufic. The linguistic features of Arabic scripts are shared between all scripts despite differences in styles.
Islamic calligraphy developed from two major styles: Kufic and Naskh. There are several variations of each, as well as regionally specific styles. Arabic or Persian calligraphy has also been incorporated into modern art, beginning with the post-colonial period in the Middle East, as well as the more recent style of calligraffiti. [8]
Calligraphers in the early Islamic period used a variety of methods to transcribe Quran manuscripts. Arabic calligraphy became one of the most important branches of Islamic Art. Calligraphers came out with the new style of writing called Kufic. Kufic is the oldest calligraphic form of the various Arabic scripts.
Thuluth (Arabic: ثُلُث, Ṯuluṯ or Arabic: خَطُّ الثُّلُثِ, Ḵaṭṭ-uṯ-Ṯuluṯ; Persian: ثلث, Sols; Turkish: Sülüs, from thuluth "one-third") is an Arabic script variety of Islamic calligraphy. The straight angular forms of Kufic were replaced in the new script by curved and oblique lines.
The Arabic script can, therefore, be used as a true alphabet as well as an abjad, although it is often strongly, if erroneously, connected to the latter due to it being originally used only for Arabic. Use of the Arabic script in West African languages, especially in the Sahel, developed with the spread of Islam.
Muhaqqaq is one of the main six types of calligraphic script in Arabic. [1] The Arabic word muḥaqqaq (محقَّق) means "consummate" or "clear", and originally was used to denote any accomplished piece of calligraphy.
Diwani calligraphy by Kazasker Mustafa Izzet Efendi. Diwani is a calligraphic variety of Arabic script, a cursive style developed during the reign of the early Ottoman Turks (16th century - early 17th century). It reached its height of popularity under Süleyman I the Magnificent (1520–1566).
Under the Almohad dynasty, Arabic calligraphy continued to flourish and a variety of distinct styles developed. [8] The Almohad caliphs, many of whom were themselves interested in Arabic script, sponsored professional calligraphers, inviting Andalusi scribes and calligraphers to settle in Marrakesh, Fes, Ceuta, and Rabat.